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                    <text>&lt;p&gt;A GRAND VOCAL MEDLEY
&lt;/p&gt;&lt;p&gt;ARRANGED FROM ROOT &amp;amp; CADY'S MOST POPULAR PUBLICATIONS BY P. P. BLISS.
&lt;/p&gt;&lt;p&gt;CHICAGO PUBLISHED BY ROOT &amp;amp; CADY 67 Washington St.
&lt;/p&gt;&lt;p&gt;[Entered?] according to act of Congress AD 1865 by Root &amp;amp; Cady in the Clerk's Office of the Dist Court for the North [Dist III?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MEDLEY. P.P. BLISS
&lt;/p&gt;&lt;p&gt;Tis sweet to be remembered..... By those we hold.... most dear...... Tis sweet to hear__ Now Moses you'll catch it Now Moses don't touch it Now Moses don't you hear what I say....
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;So twas she faded as fades the twilight Softly she murmured__We'll rally round the flag, Boys, We'll rally once again, Shouting the Battle Cry of Freedom, Yes, we'll rally from the hillsides we'll gather from the plain, Shouting__Father, dear Father, come home with me now  The clock in the steeple strikes. A nigger in the fence And a
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;little common sense Tells you that you'll never figure any more Then a GoodBye Jeff! GoodBye Jeff! I told yo so before There's a good time coming it's almost here It was long, long, long, on the way__Now run and tell Elijah to hurry up Pomp And meet us at the Gum Tree down in the swamp... To__Wake the boys to search for Nellie
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;Stay not for the dawn Who shall sleep when from the Mother's arms One__Little Johnny Grayback how are you What do you think you're about....Little Johnny Grayback tell me true Do your parents know you're out. Tis sweet to be remembered.....by John Brown's body lies
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;mould'ring in the grave, John Brown's body lies mould'ring in the grave. John Brown's body lies mould'ring in the grave, But his soul is Marching through Georgia. Hurrah! Hurrah! we bring the Jubilee Hurrah! Hurrah! the flag that makes you free! So we sang the chorus from Atlanta to the sea While we were Sleighing with the girls A sleighing with the girls Tis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;nothing else but pleasure For he kissed me when he left me And his parting words remain Treasured deep within this bosom Dearest We will Tramp, tramp, tramp the boys are marching Cheer up comrdes they will come And beneath the starry flag We shall
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe the air again Of the freeland in our own beloved Yankee Doodle Doodle Doo, Yankee Doodle Dandy, Yankee Doodle, Ha! Ha! Ha! Yankee Doodle Dandy.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Illinois Sheet Music and Song Books Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>9</text>
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                <text>A Grand Vocal Medley</text>
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                <text>"Arranged from Root &amp;amp; Cady's most popular publications by [P. P. Bliss]." Lyrics are taken from several different songs and strung together to depict singer's support for the Union cause and the Union troops.</text>
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                <text>Sheet music</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>United States. Army</text>
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                <text>Bliss, P. P. (Philip Paul), 1838-1876</text>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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                <text>1865</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                <text>&lt;p&gt;A GRAND VOCAL MEDLEY
&lt;/p&gt;&lt;p&gt;ARRANGED FROM ROOT &amp;amp; CADY'S MOST POPULAR PUBLICATIONS BY P. P. BLISS.
&lt;/p&gt;&lt;p&gt;CHICAGO PUBLISHED BY ROOT &amp;amp; CADY 67 Washington St.
&lt;/p&gt;&lt;p&gt;[Entered?] according to act of Congress AD 1865 by Root &amp;amp; Cady in the Clerk's Office of the Dist Court for the North [Dist III?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;MEDLEY. P.P. BLISS
&lt;/p&gt;&lt;p&gt;Tis sweet to be remembered..... By those we hold.... most dear...... Tis sweet to hear__ Now Moses you'll catch it Now Moses don't touch it Now Moses don't you hear what I say....
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;So twas she faded as fades the twilight Softly she murmured__We'll rally round the flag, Boys, We'll rally once again, Shouting the Battle Cry of Freedom, Yes, we'll rally from the hillsides we'll gather from the plain, Shouting__Father, dear Father, come home with me now  The clock in the steeple strikes. A nigger in the fence And a
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;little common sense Tells you that you'll never figure any more Then a GoodBye Jeff! GoodBye Jeff! I told yo so before There's a good time coming it's almost here It was long, long, long, on the way__Now run and tell Elijah to hurry up Pomp And meet us at the Gum Tree down in the swamp... To__Wake the boys to search for Nellie
&lt;/p&gt;
&lt;hr /&gt; 
&lt;p&gt;Stay not for the dawn Who shall sleep when from the Mother's arms One__Little Johnny Grayback how are you What do you think you're about....Little Johnny Grayback tell me true Do your parents know you're out. Tis sweet to be remembered.....by John Brown's body lies
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;mould'ring in the grave, John Brown's body lies mould'ring in the grave. John Brown's body lies mould'ring in the grave, But his soul is Marching through Georgia. Hurrah! Hurrah! we bring the Jubilee Hurrah! Hurrah! the flag that makes you free! So we sang the chorus from Atlanta to the sea While we were Sleighing with the girls A sleighing with the girls Tis
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;nothing else but pleasure For he kissed me when he left me And his parting words remain Treasured deep within this bosom Dearest We will Tramp, tramp, tramp the boys are marching Cheer up comrdes they will come And beneath the starry flag We shall
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;breathe the air again Of the freeland in our own beloved Yankee Doodle Doodle Doo, Yankee Doodle Dandy, Yankee Doodle, Ha! Ha! Ha! Yankee Doodle Dandy.
&lt;/p&gt;
&lt;hr /&gt;

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        <src>https://mail.chroniclingillinois.org/files/original/8c744b2f966c5cffc11825f5fa71a88b.pdf</src>
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                    <text>&lt;p&gt;Good Night, but Not Good Bye. R. W. Blake, General Manager of the Sterling Company. MANUFACTURING Sterling Pianos and Organs. Derby, Conn, U.S.A.
&lt;/p&gt;&lt;p&gt;Copyrighted and Published by THE STERLING CO.  Tindale, Brown &amp;amp; Co., Jacksonville, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Sterling Piano.
&lt;/p&gt;&lt;p&gt;The Sterling Co.: Birmingham, Conn. Gents:--I am the possessor of one of your Style G Pianos, which I am happy to say is in every sense an excellent instrument. My professional duties call me in direct contact with all classes of makes and makers, and it is gratifying to find there is combined in  the Sterling Piano all the qualities requisite to produce that which, in an artistic sense, can be truly termed an excellent instrument.  The action is regulated to a nicety, the tone is rich, pure and refined in quality.  Your piano can justly claim a prominent place in the ranks of the first-class pianos of our country.  Yours respectfully, Prof. E. L. Sanford.
&lt;/p&gt;&lt;p&gt;Rutland, Vt., November 17, 1888. Gentlemen: -- After an experience of thirteen years as a practical tuner of pianos, a portion of which time I have tuned a number of Sterling instruments, I take great pleasure in stating that for standing in tune, quality of tone, thoroughness of construction, together with other desirable qualities, the Sterling has no superior. Very respectfully yours, W. J. Danforth.
&lt;/p&gt;&lt;p&gt;"Mr. Wood T. Ogden. Middletown, one of the largest dealers in New York State, in a recent letter writes.--"These pianos fully meet the wants of my trade, and will be the leading instruments of this country."
&lt;/p&gt;&lt;p&gt;Mr. John M. Schuler, formerly manufacturer of pianos, but now one of the leading dealers of Buffalo, N.Y., says: "I am surprised at the perfection obtained in your instruments, and desire every protection for the sale of the Sterling pianos in this section."
&lt;/p&gt;&lt;p&gt;Leavenworth, Kan., Jan. 7, 1889. The Sterling Co., Derby, Con.:-- Gentlemen: We have handled the Sterling Piano for some time and consider it the best medium-priced piano in the market, and in every way a very desirable and satisfactory instrument.  Very truly, Carl Hoffman.
&lt;/p&gt;&lt;p&gt;The Sterling Piano! Mr. Adam Leininger, one of the first and best known musicians of our town, says: -- "I am in love with the tone of your Pianos, and the marked improvements you have made, and cheerfully recommend them to all wanting a superior instrument."
&lt;/p&gt;&lt;p&gt;The New York World in commenting upon the piano exhibits at the late American Institute Fair in this city, was full of praise for the Sterling Pianos, and stated that "the company has exhausted art in the magnificent finish put upon these instruments." Mr. George W. Morgan, the eminent musician, who was chairman of the committee of awards at this fair, awarded the first prize over all competition to the Sterling piano.
&lt;/p&gt;&lt;p&gt;Birmingham, Conn., November 30, 1889. The Sterling Co.: Gents: -- I had the pleasure this evening of playing for the first time on a Sterling Grand.  While I have played on numbers of well-known manufacturers of Grands, I have never yet seen a piano possessing all the attributes to make a really magnificent instrument as the Sterling. The scale is perfect. The tone and brilliance cannot be excelled, and I should consider myself very fortunate could I always have a Sterling Grand on all occasions.  I consider the Sterling Grand the finest piano manufactured in this country and I shall endeavor to secure one for my own use. Yours respectfully, Henriette Markstein.
&lt;/p&gt;&lt;p&gt;DERBY, CONNECTICUT, U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"Good-night, but not Good-bye." Words and Music by S. TURNEY.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. The golden sun in splendor  2. The past is like a sweet day
&lt;/p&gt;&lt;p&gt;bright, Fades from the western sky, And I must say to thee Good-night, Good
&lt;/p&gt;&lt;p&gt;dream, That time can ne'er efface, The present has a hidden gleam That
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night, but not Good-bye; With fond regrets the heart grows sad, Yet
&lt;/p&gt;&lt;p&gt;love can always trace; And if when I come back again, You
&lt;/p&gt;&lt;p&gt;Copyright 1885, by Sterling Organ Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;loves to ponder long, But hope's bright star soon makes it glad, And sadness turns to
&lt;/p&gt;&lt;p&gt;'neath the turf should lie, We'll meet where ne'er is heard the strain Good-night, nor yet good-
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
song; But hope's bright star soon makes it glad, And sadness turns to song.
&lt;/p&gt;&lt;p&gt;bye; We'll meet where ne'er is heard the strain, Good-night, nor yet Good-bye.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS.
&lt;/p&gt;&lt;p&gt;Soprano. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Alto. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Tenor.  Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Bass. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;heart can only say Good-night; Good-night but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not-Good bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heart can only say Good-night, Good-night but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE WORLD RENOWNED STERLING PIANOS
&lt;/p&gt;&lt;p&gt;MANUFACTURED BY THE STERLING COMPANY, DERBY, CONN., U. S. A.
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>6</text>
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                <text>Illinois Sheet Music Collection</text>
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                <text>G</text>
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            <elementTextContainer>
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                <text>Good Night, but Not Good Bye</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="414342">
                <text>"Manufacturing Sterling Pianos and Organs" Lyrics depict singer singing farewell while noting the parting is not permanent. Front cover depicts portrait of R. W. Blake, General Manager of the Sterling Company with a decorative border. P. 2 depicts drawing of upright piano with advertising information surrounding it. Back cover depicts drawing of grand piano.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Sheet music</text>
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                <text>Songs and music</text>
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                <text>Farewells</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="414347">
                <text>Turney, S.</text>
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            <name>Contributor</name>
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                <text>The Sterling Company</text>
              </elementText>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Derby, CT</text>
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            <name>Date</name>
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                <text>ca. 1885</text>
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            <elementTextContainer>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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                <text>&lt;p&gt;Good Night, but Not Good Bye. R. W. Blake, General Manager of the Sterling Company. MANUFACTURING Sterling Pianos and Organs. Derby, Conn, U.S.A.
&lt;/p&gt;&lt;p&gt;Copyrighted and Published by THE STERLING CO.  Tindale, Brown &amp;amp; Co., Jacksonville, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Sterling Piano.
&lt;/p&gt;&lt;p&gt;The Sterling Co.: Birmingham, Conn. Gents:--I am the possessor of one of your Style G Pianos, which I am happy to say is in every sense an excellent instrument. My professional duties call me in direct contact with all classes of makes and makers, and it is gratifying to find there is combined in  the Sterling Piano all the qualities requisite to produce that which, in an artistic sense, can be truly termed an excellent instrument.  The action is regulated to a nicety, the tone is rich, pure and refined in quality.  Your piano can justly claim a prominent place in the ranks of the first-class pianos of our country.  Yours respectfully, Prof. E. L. Sanford.
&lt;/p&gt;&lt;p&gt;Rutland, Vt., November 17, 1888. Gentlemen: -- After an experience of thirteen years as a practical tuner of pianos, a portion of which time I have tuned a number of Sterling instruments, I take great pleasure in stating that for standing in tune, quality of tone, thoroughness of construction, together with other desirable qualities, the Sterling has no superior. Very respectfully yours, W. J. Danforth.
&lt;/p&gt;&lt;p&gt;"Mr. Wood T. Ogden. Middletown, one of the largest dealers in New York State, in a recent letter writes.--"These pianos fully meet the wants of my trade, and will be the leading instruments of this country."
&lt;/p&gt;&lt;p&gt;Mr. John M. Schuler, formerly manufacturer of pianos, but now one of the leading dealers of Buffalo, N.Y., says: "I am surprised at the perfection obtained in your instruments, and desire every protection for the sale of the Sterling pianos in this section."
&lt;/p&gt;&lt;p&gt;Leavenworth, Kan., Jan. 7, 1889. The Sterling Co., Derby, Con.:-- Gentlemen: We have handled the Sterling Piano for some time and consider it the best medium-priced piano in the market, and in every way a very desirable and satisfactory instrument.  Very truly, Carl Hoffman.
&lt;/p&gt;&lt;p&gt;The Sterling Piano! Mr. Adam Leininger, one of the first and best known musicians of our town, says: -- "I am in love with the tone of your Pianos, and the marked improvements you have made, and cheerfully recommend them to all wanting a superior instrument."
&lt;/p&gt;&lt;p&gt;The New York World in commenting upon the piano exhibits at the late American Institute Fair in this city, was full of praise for the Sterling Pianos, and stated that "the company has exhausted art in the magnificent finish put upon these instruments." Mr. George W. Morgan, the eminent musician, who was chairman of the committee of awards at this fair, awarded the first prize over all competition to the Sterling piano.
&lt;/p&gt;&lt;p&gt;Birmingham, Conn., November 30, 1889. The Sterling Co.: Gents: -- I had the pleasure this evening of playing for the first time on a Sterling Grand.  While I have played on numbers of well-known manufacturers of Grands, I have never yet seen a piano possessing all the attributes to make a really magnificent instrument as the Sterling. The scale is perfect. The tone and brilliance cannot be excelled, and I should consider myself very fortunate could I always have a Sterling Grand on all occasions.  I consider the Sterling Grand the finest piano manufactured in this country and I shall endeavor to secure one for my own use. Yours respectfully, Henriette Markstein.
&lt;/p&gt;&lt;p&gt;DERBY, CONNECTICUT, U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"Good-night, but not Good-bye." Words and Music by S. TURNEY.
&lt;/p&gt;&lt;p&gt;Moderato.
&lt;/p&gt;&lt;p&gt;1. The golden sun in splendor  2. The past is like a sweet day
&lt;/p&gt;&lt;p&gt;bright, Fades from the western sky, And I must say to thee Good-night, Good
&lt;/p&gt;&lt;p&gt;dream, That time can ne'er efface, The present has a hidden gleam That
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
night, but not Good-bye; With fond regrets the heart grows sad, Yet
&lt;/p&gt;&lt;p&gt;love can always trace; And if when I come back again, You
&lt;/p&gt;&lt;p&gt;Copyright 1885, by Sterling Organ Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;loves to ponder long, But hope's bright star soon makes it glad, And sadness turns to
&lt;/p&gt;&lt;p&gt;'neath the turf should lie, We'll meet where ne'er is heard the strain Good-night, nor yet good-
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
song; But hope's bright star soon makes it glad, And sadness turns to song.
&lt;/p&gt;&lt;p&gt;bye; We'll meet where ne'er is heard the strain, Good-night, nor yet Good-bye.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHORUS.
&lt;/p&gt;&lt;p&gt;Soprano. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Alto. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Tenor.  Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Bass. Farewell, the sun will shine as bright, as ever in the sky; My
&lt;/p&gt;&lt;p&gt;Piano.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;heart can only say Good-night; Good-night but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not-Good bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye; My
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
heart can only say Good-night, Good-night but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;&lt;p&gt;heart can only say Good-night, Good-night, Good-night but not Good-bye, but not Good-bye.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;THE WORLD RENOWNED STERLING PIANOS
&lt;/p&gt;&lt;p&gt;MANUFACTURED BY THE STERLING COMPANY, DERBY, CONN., U. S. A.
&lt;/p&gt;
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                <text>20</text>
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                <description>A written representation of a document or a page.</description>
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                  <elementText elementTextId="544566">
                    <text>&lt;p&gt;GOD BLESS OUR PRESIDENT
WORDS AND MUSIC BY
CORDELIA HENRY
&lt;/p&gt;&lt;p&gt;Published by
C. Henry
507 N. Madison St.
Bloomington, Ill.
MADE IN U.S.A.
&lt;/p&gt;&lt;p&gt;God Bless Our President
By CORDELIA HENRY
&lt;/p&gt;&lt;p&gt;Moderato
&lt;/p&gt;&lt;p&gt;God bless our President He's proven a
friend in - deed By helping the un-
for - tu - nate And those who are in need.
&lt;/p&gt;&lt;p&gt;We need his leadership Through-out our
bless - ed land Foreign "isms" must be
van - quished  De- moc - ra - cy must stand.
&lt;/p&gt;&lt;p&gt;We're ver -y proud to-day Of this kind
Heart -ed man Let's sing his praise and
stand by him In ev'ry way we can.
&lt;/p&gt;&lt;p&gt;Copyright 1940 by Cordelia Henry
507 N. Madison St., Bloomington, Ill.
Made in U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
CHORUS
&lt;/p&gt;&lt;p&gt;God bless our F.D.R. He is the best by far
He has done more than an- y man 
To bet - ter con - di -tions in our land. 
&lt;/p&gt;&lt;p&gt;183677
&lt;/p&gt;&lt;p&gt;GOD BLESS OUR PRESIDENT - 2
&lt;/p&gt;
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              <description>A name given to the resource</description>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="414332">
              <text>4</text>
            </elementText>
            <elementText elementTextId="414333">
              <text>31 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="414317">
                <text>200126</text>
              </elementText>
              <elementText elementTextId="414318">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414319">
                <text>G</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414320">
                <text>God Bless Our President</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414321">
                <text>Lyrics depict support for Franklin Delano Roosevelt and his leadership. Front cover portrait of Franklin Delano Roosevelt. Back cover depicts two trees and a decorative border.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414322">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="414323">
                <text>Songs and music</text>
              </elementText>
              <elementText elementTextId="414324">
                <text>Roosevelt, Franklin D. (Franklin Delano), 1882-1945</text>
              </elementText>
              <elementText elementTextId="414325">
                <text>World War (1939-1945)</text>
              </elementText>
              <elementText elementTextId="414326">
                <text>Presidents</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="414328">
                <text>Henry, Cordelia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="414329">
                <text>Henry, C.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Bloomington, IL</text>
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            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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            <elementTextContainer>
              <elementText elementTextId="414337">
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                <text>&lt;p&gt;GOD BLESS OUR PRESIDENT
WORDS AND MUSIC BY
CORDELIA HENRY
&lt;/p&gt;&lt;p&gt;Published by
C. Henry
507 N. Madison St.
Bloomington, Ill.
MADE IN U.S.A.
&lt;/p&gt;&lt;p&gt;God Bless Our President
By CORDELIA HENRY
&lt;/p&gt;&lt;p&gt;Moderato
&lt;/p&gt;&lt;p&gt;God bless our President He's proven a
friend in - deed By helping the un-
for - tu - nate And those who are in need.
&lt;/p&gt;&lt;p&gt;We need his leadership Through-out our
bless - ed land Foreign "isms" must be
van - quished  De- moc - ra - cy must stand.
&lt;/p&gt;&lt;p&gt;We're ver -y proud to-day Of this kind
Heart -ed man Let's sing his praise and
stand by him In ev'ry way we can.
&lt;/p&gt;&lt;p&gt;Copyright 1940 by Cordelia Henry
507 N. Madison St., Bloomington, Ill.
Made in U.S.A.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
CHORUS
&lt;/p&gt;&lt;p&gt;God bless our F.D.R. He is the best by far
He has done more than an- y man 
To bet - ter con - di -tions in our land. 
&lt;/p&gt;&lt;p&gt;183677
&lt;/p&gt;&lt;p&gt;GOD BLESS OUR PRESIDENT - 2
&lt;/p&gt;
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                  <elementText elementTextId="546216">
                    <text>&lt;p&gt;GOD BLESS OUR BRAVE YOUNG VOLUNTEERS!
&lt;/p&gt;&lt;p&gt;SONG.
&lt;/p&gt;&lt;p&gt;Words and Music by
&lt;/p&gt;&lt;p&gt;GEORGE F. ROOT.
&lt;/p&gt;&lt;p&gt;Author of "The First Gun is Fired" etc.
&lt;/p&gt;&lt;p&gt;CHICAGO:
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY, 95 Clark Street.
Wm. HALL &amp;amp; SON.
FIRTH, POND &amp;amp; CO., 
New York
&lt;/p&gt;&lt;p&gt;RUSSELL &amp;amp; TOLMAN
Boston.
&lt;/p&gt;&lt;p&gt;H. N. HEMPSTED,
Milwaukee
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1861, by Root &amp;amp; Cady, in the Clerk's Office for the District Court for the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;SM
God1
&lt;/p&gt;&lt;p&gt;God bless our brave young volunteers!
&lt;/p&gt;&lt;p&gt;words and music by 
GEO. F. ROOT.
&lt;/p&gt;&lt;p&gt;Andantino.
&lt;/p&gt;&lt;p&gt;1. Hark the song of free--dom how it swells
val---ley, hill, and prai--rie wide, With thrill--ing
tones the toc--sin tells That dan--gers to our
land be-tide, That dan--gers to our land be-
tide; And see; from an--vil, loom, and plow, From
home, and moth--ers sa--cred tears They fly with
ar--dor on each brow, God bless our brave young
volunteers God bless our brave young vol--un-teers! 
&lt;/p&gt;&lt;p&gt;2. Still, Still the glo--rious num--bers ring, And
still they come our land to save, Let ev--ery
hear its trib--ute bring Of love, and hon--or
to the brave, Of love and hon--or to the
brave; May He pro--tect them in the strife Whose
o'er the star--ry flag ap--pears That He who
guard each pre--cious life And bless our brave young
vol--un-teers And bless &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3. Oh home of free--dom, fa--ther-land, To
thee our treas--ures now we yield, Tis du---ty
calls, their feet must stand In tent--ed camp, on
blood--y field, In tent--ed camp, on blood--y
field; Fare-well true hearts our pray'rs shall be Where
o'er the starry flag ap--pears That He who
made our fa---thers free May bless our brave young
vol--un-teers May bless &amp;amp;c.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Illinois Sheet Music and Song Books Collection</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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            <elementText elementTextId="414311">
              <text>5</text>
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                <text>G</text>
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          <element elementId="50">
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                <text>God Bless Our Brave Young Volunteers!</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Lyrics depict support and encouragement for troops fighting for their country.</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Sheet music</text>
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              <elementText elementTextId="414299">
                <text>Songs and music</text>
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              <elementText elementTextId="414300">
                <text>Patriotic music</text>
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              <elementText elementTextId="414301">
                <text>American Civil War (1861-1865)</text>
              </elementText>
              <elementText elementTextId="414302">
                <text>United States. Army</text>
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              <elementText elementTextId="414303">
                <text>Soldiers</text>
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              <elementText elementTextId="414304">
                <text>War songs</text>
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              <elementText elementTextId="414305">
                <text>War--Songs and Music</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="414307">
                <text>Root, George F. (George Frederick), 1820-1895</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="414308">
                <text>Root &amp;amp; Cady</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414309">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414310">
                <text>1861</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414313">
                <text>pdf</text>
              </elementText>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414314">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414316">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="138">
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            <elementTextContainer>
              <elementText elementTextId="546217">
                <text>&lt;p&gt;GOD BLESS OUR BRAVE YOUNG VOLUNTEERS!
&lt;/p&gt;&lt;p&gt;SONG.
&lt;/p&gt;&lt;p&gt;Words and Music by
&lt;/p&gt;&lt;p&gt;GEORGE F. ROOT.
&lt;/p&gt;&lt;p&gt;Author of "The First Gun is Fired" etc.
&lt;/p&gt;&lt;p&gt;CHICAGO:
&lt;/p&gt;&lt;p&gt;Published by ROOT &amp;amp; CADY, 95 Clark Street.
Wm. HALL &amp;amp; SON.
FIRTH, POND &amp;amp; CO., 
New York
&lt;/p&gt;&lt;p&gt;RUSSELL &amp;amp; TOLMAN
Boston.
&lt;/p&gt;&lt;p&gt;H. N. HEMPSTED,
Milwaukee
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, in the year 1861, by Root &amp;amp; Cady, in the Clerk's Office for the District Court for the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;SM
God1
&lt;/p&gt;&lt;p&gt;God bless our brave young volunteers!
&lt;/p&gt;&lt;p&gt;words and music by 
GEO. F. ROOT.
&lt;/p&gt;&lt;p&gt;Andantino.
&lt;/p&gt;&lt;p&gt;1. Hark the song of free--dom how it swells
val---ley, hill, and prai--rie wide, With thrill--ing
tones the toc--sin tells That dan--gers to our
land be-tide, That dan--gers to our land be-
tide; And see; from an--vil, loom, and plow, From
home, and moth--ers sa--cred tears They fly with
ar--dor on each brow, God bless our brave young
volunteers God bless our brave young vol--un-teers! 
&lt;/p&gt;&lt;p&gt;2. Still, Still the glo--rious num--bers ring, And
still they come our land to save, Let ev--ery
hear its trib--ute bring Of love, and hon--or
to the brave, Of love and hon--or to the
brave; May He pro--tect them in the strife Whose
o'er the star--ry flag ap--pears That He who
guard each pre--cious life And bless our brave young
vol--un-teers And bless &amp;amp;c.
&lt;/p&gt;&lt;p&gt;3. Oh home of free--dom, fa--ther-land, To
thee our treas--ures now we yield, Tis du---ty
calls, their feet must stand In tent--ed camp, on
blood--y field, In tent--ed camp, on blood--y
field; Fare-well true hearts our pray'rs shall be Where
o'er the starry flag ap--pears That He who
made our fa---thers free May bless our brave young
vol--un-teers May bless &amp;amp;c.
&lt;/p&gt;
&lt;hr /&gt;

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                <text>100</text>
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        <src>https://mail.chroniclingillinois.org/files/original/94326d3bd683b24cfbaca9c1176621b7.pdf</src>
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                <elementTextContainer>
                  <elementText elementTextId="575736">
                    <text>&lt;p&gt;Augusta Georgia 
&lt;/p&gt;&lt;p&gt;Georgia Grand March 
&lt;/p&gt;&lt;p&gt;Dedicated to 1st Regiment Ills. Nat. Guards and the members of the Chicago Southern States Association, on their visit to Augusta Ga. Nov. 15, 1895.  Composed by Fred U. Haines.  
&lt;/p&gt;&lt;p&gt;Compliments of The Augusta Southern RailRoad
&lt;/p&gt;&lt;p&gt;James U. Jackson President.
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co., 267-269 Wabash Ave. Chicago.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GEORGIA GRAND MARCH. Composed by FREDERICK U. HAINES.
&lt;/p&gt;&lt;p&gt;Tempo di March Militaire
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Shoninger Pianos Endorsed by S.B. Mills Italo Campanini. Miss Emma Thursby
&lt;/p&gt;&lt;p&gt;Dudley Buck  Ida Klein. C.A. Cappa and many others. Renowned for Tone-Durability-Workmanship. B. Shoninger Co. Manufacturers established 1830. New York 96 Fifth Avenue  Chicago 267-269 Wabash Ave.
&lt;/p&gt;&lt;p&gt;Order your Sheet Music of the Strauss Music Co. 267-269 Wabash Ave. Everything in the Musical Line. One-Half off on all Sheet Music
&lt;/p&gt;&lt;p&gt;"Nowhere in these United States can a man with a family or a young man of enterprise with little capital obtain such an independence and positive certainty of success as by owning and working a small farm in Georgia."
&lt;/p&gt;&lt;p&gt;F.S. Mordaunt, Gen'l Northern Agt., 225 Dearborn Street, Chicago. 
&lt;/p&gt;&lt;p&gt;Walter M. Jackson, Commissioner of Immigration, ...Augusta, Ga.
&lt;/p&gt;&lt;p&gt;New Publications...Piano...
Seeboeck, W.C.E.--Minuet a l'Antico No. 3 $0.60
Rosenfeld, Maurice--Commencement March....  .50
Haines, Fred'K U--Royal Dragoons March, Petite Suite: 1. Melodie&amp;#160;; 2. Andante&amp;#160;; 3. Etude&amp;#160;; 4. Scherzo (in press)...    1.00
&lt;/p&gt;&lt;p&gt;Vocal
Seeboeck, W. C. E. (Four Songs) 1. Braham (Indian Song)...2. Alone....3. Be Thou Consoled O Quiet Heart Violin ob.  .75
&lt;/p&gt;&lt;p&gt;4. To the Last..  .50
&lt;/p&gt;&lt;p&gt;Schleiffarth, Geo.--One More Waltz ...  .40
&lt;/p&gt;&lt;p&gt;Wales, Leonard--Little Billie's Trilby, (Illustrated). Romania for Tenor   .60
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co. Publishers Importers  209 Wabash Ave. Chicago
&lt;/p&gt;&lt;p&gt;New!  New! New! New!
&lt;/p&gt;&lt;p&gt;Popular Waltz Song...by Schleiffarth entitled "One More Waltz" The Hit of the Season! 
&lt;/p&gt;&lt;p&gt;Catchy Words!  Catchy Music!  Price 40 cents. Published by The Strauss Music Co. 269 Wabash Avenue Chicago
&lt;/p&gt;
</text>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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      <name>Document</name>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414287">
              <text>6</text>
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            <elementText elementTextId="414288">
              <text>34 cm</text>
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                <text>Illinois Sheet Music Collection</text>
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                <text>G</text>
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            <name>Title</name>
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                <text>Georgia Grand March</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414274">
                <text>Instrumental music. "Dedicated to 1st Regiment Ills. Nat. Guards and the members of the Chicago Southern States Association on their visit to Augusta, Ga., Nov. 15, 1895." "Compliments of The Augusta Southern Railroad"</text>
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                <text>Sheet music</text>
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              <elementText elementTextId="414276">
                <text>Marches</text>
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              <elementText elementTextId="414277">
                <text>Piano music</text>
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              <elementText elementTextId="414278">
                <text>Songs and music</text>
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              <elementText elementTextId="414279">
                <text>Illinois. National Guard</text>
              </elementText>
              <elementText elementTextId="414280">
                <text>Georgia--Augusta</text>
              </elementText>
              <elementText elementTextId="414281">
                <text>Georgia</text>
              </elementText>
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            <name>Creator</name>
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              <elementText elementTextId="414283">
                <text>Haines, Frederick U.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="414284">
                <text>The Strauss Music Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414285">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="414286">
                <text>1895</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="414289">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414290">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414292">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="599559">
                <text>&lt;p&gt;Augusta Georgia 
&lt;/p&gt;&lt;p&gt;Georgia Grand March 
&lt;/p&gt;&lt;p&gt;Dedicated to 1st Regiment Ills. Nat. Guards and the members of the Chicago Southern States Association, on their visit to Augusta Ga. Nov. 15, 1895.  Composed by Fred U. Haines.  
&lt;/p&gt;&lt;p&gt;Compliments of The Augusta Southern RailRoad
&lt;/p&gt;&lt;p&gt;James U. Jackson President.
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co., 267-269 Wabash Ave. Chicago.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GEORGIA GRAND MARCH. Composed by FREDERICK U. HAINES.
&lt;/p&gt;&lt;p&gt;Tempo di March Militaire
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Shoninger Pianos Endorsed by S.B. Mills Italo Campanini. Miss Emma Thursby
&lt;/p&gt;&lt;p&gt;Dudley Buck  Ida Klein. C.A. Cappa and many others. Renowned for Tone-Durability-Workmanship. B. Shoninger Co. Manufacturers established 1830. New York 96 Fifth Avenue  Chicago 267-269 Wabash Ave.
&lt;/p&gt;&lt;p&gt;Order your Sheet Music of the Strauss Music Co. 267-269 Wabash Ave. Everything in the Musical Line. One-Half off on all Sheet Music
&lt;/p&gt;&lt;p&gt;"Nowhere in these United States can a man with a family or a young man of enterprise with little capital obtain such an independence and positive certainty of success as by owning and working a small farm in Georgia."
&lt;/p&gt;&lt;p&gt;F.S. Mordaunt, Gen'l Northern Agt., 225 Dearborn Street, Chicago. 
&lt;/p&gt;&lt;p&gt;Walter M. Jackson, Commissioner of Immigration, ...Augusta, Ga.
&lt;/p&gt;&lt;p&gt;New Publications...Piano...
Seeboeck, W.C.E.--Minuet a l'Antico No. 3 $0.60
Rosenfeld, Maurice--Commencement March....  .50
Haines, Fred'K U--Royal Dragoons March, Petite Suite: 1. Melodie&amp;#160;; 2. Andante&amp;#160;; 3. Etude&amp;#160;; 4. Scherzo (in press)...    1.00
&lt;/p&gt;&lt;p&gt;Vocal
Seeboeck, W. C. E. (Four Songs) 1. Braham (Indian Song)...2. Alone....3. Be Thou Consoled O Quiet Heart Violin ob.  .75
&lt;/p&gt;&lt;p&gt;4. To the Last..  .50
&lt;/p&gt;&lt;p&gt;Schleiffarth, Geo.--One More Waltz ...  .40
&lt;/p&gt;&lt;p&gt;Wales, Leonard--Little Billie's Trilby, (Illustrated). Romania for Tenor   .60
&lt;/p&gt;&lt;p&gt;Published by The Strauss Music Co. Publishers Importers  209 Wabash Ave. Chicago
&lt;/p&gt;&lt;p&gt;New!  New! New! New!
&lt;/p&gt;&lt;p&gt;Popular Waltz Song...by Schleiffarth entitled "One More Waltz" The Hit of the Season! 
&lt;/p&gt;&lt;p&gt;Catchy Words!  Catchy Music!  Price 40 cents. Published by The Strauss Music Co. 269 Wabash Avenue Chicago
&lt;/p&gt;
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              <text>6</text>
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                <text>General Sherman and His Boys in Blue</text>
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                <text>Lyrics depict William Tecumseh Sherman leading Union troops into battle at Shiloh, Vicksburg, Missionary Ridge, and Sherman's March to the Sea. Cover depicts William Tecumseh Sherman in military uniform. Page 2 is a compilation of songs for sale by publisher.</text>
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                <text>Sherman, William T. (William Tecumseh), 1820-1891</text>
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                <text>War--Songs and Music</text>
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                <text>Higgins, H. M. (Hiram M.)</text>
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                <text>Higgins, H. M.</text>
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                <text>Chicago</text>
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                <text>ca. 1865</text>
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            <elementTextContainer>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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          </element>
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            <name>Language</name>
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                <text>eng</text>
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                    <text>&lt;p&gt;GENERAL McCLERNAND'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;[LITHOGRAPH]
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; most respectfully dedicated to MAJ. GEN. JOHN A. McCLERNAND by LOUIS H. RINK. Published by ROOT &amp;amp; CADY 95 Clark St. Chicago.
&lt;/p&gt;&lt;p&gt;Geo. W. Chatterton. Springfield, Ill.  S. Brainard &amp;amp; Co. Cleveland. H.N. Hemsted. Milwaukee. J.H. Whittemore. Detroit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;GEN. McCLERNAND'S GRAND MARCH.  L.H. RINK.
&lt;/p&gt;&lt;p&gt;March. [sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY'S NEW PUBLICATIONS.  
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., opposite Court House, Chicago, Ill. Dealers in every Description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Bros.' Church and other Music Books.
&lt;/p&gt;&lt;p&gt;PIANO FORTES TO LET.
&lt;/p&gt;&lt;p&gt;Music sent to any part of the United States, Free of Postage, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Wolcott  25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie  25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatman's Song, Port Royal, 1861. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury  25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallows are Returning. Song. Abt  25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder. Song. Geo. F. Root  25 cts. Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching ballad, with Chorus. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Take your Gun and Go, John! Song and Chorus. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard  25 cts.  Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow  25 cts.  An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root  25 cts
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert 25 cts. For Tenor or Soprano. Exquisite, but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Sloepius  25 cts. Song for Contralto or Baritone--Classic and Beautiful.
&lt;/p&gt;&lt;p&gt;O! Are ye Sleeping, Maggie. Scotch Song 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.S.W. 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Soldier's Dream. Song. R.S. Taylor 25 cts.
&lt;/p&gt;&lt;p&gt;Wrap the Flag Around Me. " 25 cts.
&lt;/p&gt;&lt;p&gt;Uncle Joe's Hail Columbia. H.C. Work 25 cts
&lt;/p&gt;&lt;p&gt;Kingdom Coming. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The First Love Dream. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Sleep, Baby, Sleep 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Blame Me not for Loving. 25 cts.
&lt;/p&gt;&lt;p&gt;New Skedaddle. R.D. Scott 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream Kitty. H.L. Frisbie 25 cts.
&lt;/p&gt;&lt;p&gt;The Battle Cry of Freedom. G.F. Root 25 cts.
&lt;/p&gt;&lt;p&gt;Wurzel's Liberty Song 25 cts.
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'eau. (Tremolo,) 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National Des Croates 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine  25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse. 25 cts.
&lt;/p&gt;
&lt;pre&gt;Spring Style Schottische. Freund 15 cts.
&lt;/pre&gt;
&lt;p&gt;North-Western Rifle March. By S.G.L. Arranged by Vaas 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Grant's March. R. Zelner 25 cts.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas 40 cts. (Lithographic Portrait.)
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts. (With Portrait.) Highly effective.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. Wollenhaupt 40 cts. One of the finest compositions of this author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March from Tannhauser. Wagner 30 cts.  Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets' Quickstep. Vaas 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. Geo. A. Florence 25 cts.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) Vaas 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph) 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas 35 cts.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep. Transcription de Concert, by F. Staab  75 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. Variations by Grobe  50 cts.
&lt;/p&gt;&lt;p&gt;Coquette Mazurka. F. Staab 35 cts.
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;
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              <elementTextContainer>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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            <elementText elementTextId="414234">
              <text>5</text>
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                <text>General McClernand's Grand March</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Instrumental music. "Composed and most respectfully dedicated to Maj. Gen. John A. McClernand." Cover depicts portrait of John A. McClernand in military uniform.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>McClernand, John A. (John Alexander), 1812-1900</text>
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              <elementText elementTextId="414225">
                <text>Marches</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Rink, Louis H.</text>
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                <text>Root &amp;amp; Cady</text>
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                <text>Chicago</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414233">
                <text>ca. 1862</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414236">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414237">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414239">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="624001">
                <text>&lt;p&gt;GENERAL McCLERNAND'S GRAND MARCH.
&lt;/p&gt;&lt;p&gt;[LITHOGRAPH]
&lt;/p&gt;&lt;p&gt;Composed &amp;amp; most respectfully dedicated to MAJ. GEN. JOHN A. McCLERNAND by LOUIS H. RINK. Published by ROOT &amp;amp; CADY 95 Clark St. Chicago.
&lt;/p&gt;&lt;p&gt;Geo. W. Chatterton. Springfield, Ill.  S. Brainard &amp;amp; Co. Cleveland. H.N. Hemsted. Milwaukee. J.H. Whittemore. Detroit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3
&lt;/p&gt;&lt;p&gt;GEN. McCLERNAND'S GRAND MARCH.  L.H. RINK.
&lt;/p&gt;&lt;p&gt;March. [sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;[sheet music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY'S NEW PUBLICATIONS.  
&lt;/p&gt;&lt;p&gt;ROOT &amp;amp; CADY, 95 Clark St., opposite Court House, Chicago, Ill. Dealers in every Description of Music Books, Instruments, Sheet Music and Musical Merchandise generally, Steinways' Piano Fortes, Mason &amp;amp; Hamlin's Melodeons, Mason Bros.' Church and other Music Books.
&lt;/p&gt;&lt;p&gt;PIANO FORTES TO LET.
&lt;/p&gt;&lt;p&gt;Music sent to any part of the United States, Free of Postage, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Henry C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The Girls at Home. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Happy Days of Yore. Francis Wolcott  25 cts.
&lt;/p&gt;&lt;p&gt;The First Gun is Fired! "May God protect the right." Song and Chorus. G.F. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;The Stars and the Stripes, The Flag of the Free. Song and Chorus. Frisbie  25 cts.
&lt;/p&gt;&lt;p&gt;Stand Up for Uncle Sam, My Boys, Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Negro Boatman's Song, Port Royal, 1861. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;The Dear Ones All at Home. Song and Chorus. W.B. Bradbury  25 cts.
&lt;/p&gt;&lt;p&gt;Now the Swallows are Returning. Song. Abt  25 cts. In the style of "When the Swallows homeward fly."
&lt;/p&gt;&lt;p&gt;Kitty Ryder. Song. Geo. F. Root  25 cts. Sprightly.
&lt;/p&gt;&lt;p&gt;Nellie Lost and Found. A touching ballad, with Chorus. Henry C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;Our Captain's Last Words. H.C. Work  25 cts.
&lt;/p&gt;&lt;p&gt;The Vacant Chair. Song and Chorus. Geo. F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Take your Gun and Go, John! Song and Chorus. H.T. Merrill  25 cts.
&lt;/p&gt;&lt;p&gt;Silent Evening. Baritone or Contralto Solo. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Mine Own. Song. J.M. Hubbard  25 cts.  Answer to "Call me Pet Names."
&lt;/p&gt;&lt;p&gt;Home Far Away. Song. Flotow  25 cts.  An adaptation of one of the most beautiful melodies in a new Opera by the author of Martha.
&lt;/p&gt;&lt;p&gt;Dream on, Lillie. Song and Quartette. G.F. Root  25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Oh Sing to Me of Heaven. Song and Quartette. G.F. Root  25 cts
&lt;/p&gt;&lt;p&gt;I Never Kiss and Tell. Song. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;The Secret. Song. Schubert 25 cts. For Tenor or Soprano. Exquisite, but difficult.
&lt;/p&gt;&lt;p&gt;Evening. Song. Sloepius  25 cts. Song for Contralto or Baritone--Classic and Beautiful.
&lt;/p&gt;&lt;p&gt;O! Are ye Sleeping, Maggie. Scotch Song 25 cts.
&lt;/p&gt;&lt;p&gt;Forest Requiem. Song and Chorus. G.S.W. 25 cts.
&lt;/p&gt;&lt;p&gt;My Heart is Like a Silent Lute. Root. 25 cts.
&lt;/p&gt;&lt;p&gt;Death of the Robin. J.M. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Soldier's Dream. Song. R.S. Taylor 25 cts.
&lt;/p&gt;&lt;p&gt;Wrap the Flag Around Me. " 25 cts.
&lt;/p&gt;&lt;p&gt;Uncle Joe's Hail Columbia. H.C. Work 25 cts
&lt;/p&gt;&lt;p&gt;Kingdom Coming. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;The First Love Dream. H.C. Work 25 cts.
&lt;/p&gt;&lt;p&gt;Sleep, Baby, Sleep 25 cts.
&lt;/p&gt;&lt;p&gt;Mother, Blame Me not for Loving. 25 cts.
&lt;/p&gt;&lt;p&gt;New Skedaddle. R.D. Scott 25 cts.
&lt;/p&gt;&lt;p&gt;Song of the Egyptian Girl. Hubbard 25 cts.
&lt;/p&gt;&lt;p&gt;Thou Wilt Come Nevermore to the Stream Kitty. H.L. Frisbie 25 cts.
&lt;/p&gt;&lt;p&gt;The Battle Cry of Freedom. G.F. Root 25 cts.
&lt;/p&gt;&lt;p&gt;Wurzel's Liberty Song 25 cts.
&lt;/p&gt;&lt;p&gt;The six following pieces simplified by A.W. Berg.
&lt;/p&gt;&lt;p&gt;Gouttes D'eau. (Tremolo,) 25 cts.
&lt;/p&gt;&lt;p&gt;Chant National Des Croates 25 cts.
&lt;/p&gt;&lt;p&gt;March de la Reine  25 cts.
&lt;/p&gt;&lt;p&gt;Les Deux Anges. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;L'Heure de la Priere. (Varied.) 25 cts.
&lt;/p&gt;&lt;p&gt;Venzano Valse. 25 cts.
&lt;/p&gt;
&lt;pre&gt;Spring Style Schottische. Freund 15 cts.
&lt;/pre&gt;
&lt;p&gt;North-Western Rifle March. By S.G.L. Arranged by Vaas 25 cts.
&lt;/p&gt;&lt;p&gt;Polka Gracieuse. Instrumental. Wm. Mason, 60 cts. Brilliant. Rather difficult.
&lt;/p&gt;&lt;p&gt;Gen. Grant's March. R. Zelner 25 cts.
&lt;/p&gt;&lt;p&gt;Gen. Fremont's March. A.J. Vaas 40 cts. (Lithographic Portrait.)
&lt;/p&gt;&lt;p&gt;Major Anderson's March. A.J. Vaas, 40 cts. (With Portrait.) Highly effective.
&lt;/p&gt;&lt;p&gt;Marie Polka Mazurka. Wollenhaupt 40 cts. One of the finest compositions of this author. Very graceful.
&lt;/p&gt;&lt;p&gt;Grand March from Tannhauser. Wagner 30 cts.  Very fine but difficult.
&lt;/p&gt;&lt;p&gt;The Zouave Cadets' Quickstep. Vaas 50 cts. Illustrated Title.
&lt;/p&gt;&lt;p&gt;Pet Polka. Geo. A. Florence 25 cts.
&lt;/p&gt;&lt;p&gt;Lafner Waltz. F.R. Otto 25 cts.
&lt;/p&gt;&lt;p&gt;Skating Quadrille. (Lithograph.) Vaas 50 cts.
&lt;/p&gt;&lt;p&gt;Enchantress Schottisch. (Lithograph) 50 cts.
&lt;/p&gt;&lt;p&gt;Forest Birds' Waltz. R. Zellner 30 cts.
&lt;/p&gt;&lt;p&gt;Ellsworth's Requiem March. Vaas 35 cts.
&lt;/p&gt;&lt;p&gt;Rock me to Sleep. Transcription de Concert, by F. Staab  75 cts.
&lt;/p&gt;&lt;p&gt;Kingdom Coming. Variations by Grobe  50 cts.
&lt;/p&gt;&lt;p&gt;Coquette Mazurka. F. Staab 35 cts.
&lt;/p&gt;&lt;p&gt;All the above Vocal and Instrumental Music can be relied upon as being good and attractive.
&lt;/p&gt;
</text>
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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="624003">
                <text>Complete</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="624004">
                <text>100</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="624005">
                <text>20</text>
              </elementText>
            </elementTextContainer>
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        <src>https://mail.chroniclingillinois.org/files/original/426d07f2b49919b144dc9c393d34f8e0.pdf</src>
        <authentication>ea8dcfb7e92307dd222105e5549f128a</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
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            <description>Manages transcriptions of items and files</description>
            <elementContainer>
              <element elementId="138">
                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="569479">
                    <text>&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Composed by GEO. MAYWOOD.
&lt;/p&gt;&lt;p&gt;40
&lt;/p&gt;&lt;p&gt;Copyright, 1885, by National Music Co.  From Windsor &amp;amp; Music &amp;amp; Co., Chicago, Ills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Introduction.  Composed by Geo. Maywood.
&lt;/p&gt;&lt;p&gt;Muffled drums.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyrighted 1885 by The National Music Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                <name>Status</name>
                <description>The current transcription status of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="599565">
                    <text>Complete</text>
                  </elementText>
                </elementTextContainer>
              </element>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249726">
                  <text>Illinois Sheet Music and Song Books Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              </elementTextContainer>
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    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="414213">
              <text>5</text>
            </elementText>
            <elementText elementTextId="414214">
              <text>30 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="414197">
                <text>200121</text>
              </elementText>
              <elementText elementTextId="414198">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414199">
                <text>G</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414200">
                <text>General Grant's Funeral March</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414201">
                <text>Instrumental music. Cover depicts portrait of Ulysses S. Grant surrounded by two crossed flags, a laurel, sword, and rifle.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414202">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="414203">
                <text>Funeral Music</text>
              </elementText>
              <elementText elementTextId="414204">
                <text>Marches</text>
              </elementText>
              <elementText elementTextId="414205">
                <text>Grant, Ulysses S. (Ulysses Simpson), 1822-1885</text>
              </elementText>
              <elementText elementTextId="414206">
                <text>Songs and music</text>
              </elementText>
              <elementText elementTextId="414207">
                <text>Presidents</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414209">
                <text>Maywood, George</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414210">
                <text>Windsor Music Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414211">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414212">
                <text>1885</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414215">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414216">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414218">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
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      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="599564">
                <text>&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Composed by GEO. MAYWOOD.
&lt;/p&gt;&lt;p&gt;40
&lt;/p&gt;&lt;p&gt;Copyright, 1885, by National Music Co.  From Windsor &amp;amp; Music &amp;amp; Co., Chicago, Ills.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;GENERAL GRANT'S FUNERAL MARCH.
&lt;/p&gt;&lt;p&gt;Introduction.  Composed by Geo. Maywood.
&lt;/p&gt;&lt;p&gt;Muffled drums.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyrighted 1885 by The National Music Co.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="599566">
                <text>Complete</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="599567">
                <text>100</text>
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            </elementTextContainer>
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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="599568">
                <text>20</text>
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  <item itemId="29183" public="1" featured="0">
    <fileContainer>
      <file fileId="28682">
        <src>https://mail.chroniclingillinois.org/files/original/b6cf9db8e7bfc4df354039cadfe14ef9.pdf</src>
        <authentication>e44bec2df2a80c3d43bb84b2f850c36b</authentication>
        <elementSetContainer>
          <elementSet elementSetId="7">
            <name>Scripto</name>
            <description>Manages transcriptions of items and files</description>
            <elementContainer>
              <element elementId="138">
                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="549099">
                    <text>&lt;p&gt;The Song with the "Punch" and "Pep"!
&lt;/p&gt;&lt;p&gt;FREEDOM AND GLORY (A Song for the Army and Navy)
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE 
&lt;/p&gt;&lt;p&gt;Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;Officially played by THE SOUSA BAND
&lt;/p&gt;&lt;p&gt;THE GREAT LAKES NAVAL TRAINING STATION BAND
&lt;/p&gt;&lt;p&gt;Directed by John Phillip Sousa
&lt;/p&gt;&lt;p&gt;THE REGIMENTAL BANDS OF CAMP GRANT
&lt;/p&gt;&lt;p&gt;Directed by Arthur Nevin and many other Naval and Military Bands throughout the World.
&lt;/p&gt;&lt;p&gt;Published for BAND and ORCH. 
&lt;/p&gt;&lt;p&gt;WILL ROSSITER "THE CHICAGO PUBLISHER" 71 W. Randolph St., CHICAGO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Dedicated, by permission, to Captain William A. Moffett, U.S.N.
&lt;/p&gt;&lt;p&gt;Freedom and Glory A Song for the Army and Navy
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE  Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;We are sons of the land that freed
Men and nations in crying need: Now on we speed to prove by deed New
faith in our old story. Off to France and the growl of wars,
On to batter the tyrants bars; Vowed to take the
stripes and stars to unstained glory.
&lt;/p&gt;&lt;p&gt;Men like us were with Washington,
Our own kind saw that Jackson won, And Mexico was left undone By
men of our same manner; Men like us were Grant and Lee,
Stonewall, Sheridan, Meade maybe: Theirs the flag set
Cuba free, our starbright banner.
&lt;/p&gt;&lt;p&gt;Men like us were with bold John Paul
Our own kind ran to Preble's call, Decatur, Lawrence, Perry all Who
make the nation glorious; David Farragut shared their fame,
Dewey fought with the same clear aim: Their old flag we'll
keep aflame and still victorious.
&lt;/p&gt;&lt;p&gt;Copyright, MCMXVII, by Will Rossiter, Chicago, Ill.
&lt;/p&gt;&lt;p&gt;British copyright secured  All rights reserved
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Freedom! Glory! off to war are we To
&lt;/p&gt;&lt;p&gt;fight the fight for God and right along the land and sea
&lt;/p&gt;&lt;p&gt;Freedom! Glory! join the great advance and bear a lance to fight for France and glory.
&lt;/p&gt;
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                <description>The current transcription status of a document or a page.</description>
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                  <elementText elementTextId="549101">
                    <text>Complete</text>
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    <collection collectionId="324">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414191">
              <text>4</text>
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            <elementText elementTextId="414192">
              <text>26 cm</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="414176">
                <text>200120</text>
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              <elementText elementTextId="414177">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414178">
                <text>CD</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414179">
                <text>Freedom and Glory: A Song for the Army and Navy</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="414180">
                <text>Lyrics depict battles and roles of the Army and Navy. "Dedication, by permission, to Captain William A. Moffett, U.S.N."</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="414181">
                <text>Patriotic Song</text>
              </elementText>
              <elementText elementTextId="414182">
                <text>Military Song</text>
              </elementText>
              <elementText elementTextId="414183">
                <text>Marches</text>
              </elementText>
              <elementText elementTextId="414184">
                <text>Moffett, William A.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="414187">
                <text>Kickmann, F. Henri (Frank Henri), 1885-1966</text>
              </elementText>
              <elementText elementTextId="493217">
                <text>Rice, Wallace, 1859-1939</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414188">
                <text>Will Rossiter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414189">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414190">
                <text>ca. 1918</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414193">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414194">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414196">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="549100">
                <text>&lt;p&gt;The Song with the "Punch" and "Pep"!
&lt;/p&gt;&lt;p&gt;FREEDOM AND GLORY (A Song for the Army and Navy)
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE 
&lt;/p&gt;&lt;p&gt;Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;Officially played by THE SOUSA BAND
&lt;/p&gt;&lt;p&gt;THE GREAT LAKES NAVAL TRAINING STATION BAND
&lt;/p&gt;&lt;p&gt;Directed by John Phillip Sousa
&lt;/p&gt;&lt;p&gt;THE REGIMENTAL BANDS OF CAMP GRANT
&lt;/p&gt;&lt;p&gt;Directed by Arthur Nevin and many other Naval and Military Bands throughout the World.
&lt;/p&gt;&lt;p&gt;Published for BAND and ORCH. 
&lt;/p&gt;&lt;p&gt;WILL ROSSITER "THE CHICAGO PUBLISHER" 71 W. Randolph St., CHICAGO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Dedicated, by permission, to Captain William A. Moffett, U.S.N.
&lt;/p&gt;&lt;p&gt;Freedom and Glory A Song for the Army and Navy
&lt;/p&gt;&lt;p&gt;Words by WALLACE RICE  Music by EDWARD C. MOORE
&lt;/p&gt;&lt;p&gt;We are sons of the land that freed
Men and nations in crying need: Now on we speed to prove by deed New
faith in our old story. Off to France and the growl of wars,
On to batter the tyrants bars; Vowed to take the
stripes and stars to unstained glory.
&lt;/p&gt;&lt;p&gt;Men like us were with Washington,
Our own kind saw that Jackson won, And Mexico was left undone By
men of our same manner; Men like us were Grant and Lee,
Stonewall, Sheridan, Meade maybe: Theirs the flag set
Cuba free, our starbright banner.
&lt;/p&gt;&lt;p&gt;Men like us were with bold John Paul
Our own kind ran to Preble's call, Decatur, Lawrence, Perry all Who
make the nation glorious; David Farragut shared their fame,
Dewey fought with the same clear aim: Their old flag we'll
keep aflame and still victorious.
&lt;/p&gt;&lt;p&gt;Copyright, MCMXVII, by Will Rossiter, Chicago, Ill.
&lt;/p&gt;&lt;p&gt;British copyright secured  All rights reserved
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;CHORUS.
&lt;/p&gt;&lt;p&gt;Freedom! Glory! off to war are we To
&lt;/p&gt;&lt;p&gt;fight the fight for God and right along the land and sea
&lt;/p&gt;&lt;p&gt;Freedom! Glory! join the great advance and bear a lance to fight for France and glory.
&lt;/p&gt;
</text>
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            <name>Status</name>
            <description>The current transcription status of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="549102">
                <text>Complete</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="141">
            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
            <elementTextContainer>
              <elementText elementTextId="549103">
                <text>100</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="549104">
                <text>20</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="29182" public="1" featured="0">
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        <src>https://mail.chroniclingillinois.org/files/original/d69241d38ad9e9da57f5909d5f07ffa8.pdf</src>
        <authentication>f0e58b88b2194ea589d571ddab24dbd3</authentication>
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          <elementSet elementSetId="7">
            <name>Scripto</name>
            <description>Manages transcriptions of items and files</description>
            <elementContainer>
              <element elementId="138">
                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="548515">
                    <text>&lt;p&gt;Flag Ever Glorious
&lt;/p&gt;&lt;p&gt;ANTHEM
&lt;/p&gt;&lt;p&gt;Suitable for all Patriotic Occasions by William Dodd Chenery
&lt;/p&gt;&lt;p&gt;Flag ever glorious, flag of the free,
&lt;/p&gt;&lt;p&gt;Wave thou victorious o'er land, o'er sea;
&lt;/p&gt;&lt;p&gt;With thy appearing unbidden we rise,
&lt;/p&gt;&lt;p&gt;Hail thee, proud banner, aloft in the skies.
&lt;/p&gt;&lt;p&gt;Pines in the North thy great glories proclaim,
&lt;/p&gt;&lt;p&gt;Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;Out from the East rolls the anthem of praise,
&lt;/p&gt;&lt;p&gt;Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, thy colors bright,
&lt;/p&gt;&lt;p&gt;Herald the tidings of justice, of right;
&lt;/p&gt;&lt;p&gt;Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;Float on in triumph when tumult shall cease.
&lt;/p&gt;&lt;p&gt;Hail to thy Navy, its valor our pride,
&lt;/p&gt;&lt;p&gt;Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;Danger defying, defending thy land,
&lt;/p&gt;&lt;p&gt;Honor upholding united they stand.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, hail to thy worth,
&lt;/p&gt;&lt;p&gt;Gift of THE FATHER at Liberty's birth;
&lt;/p&gt;&lt;p&gt;In thy enfolding the weak, the opprest
&lt;/p&gt;&lt;p&gt;Find a safe haven, O, flag ever blest.
&lt;/p&gt;&lt;p&gt;Shine ye through all the night, O, radiant stars,
&lt;/p&gt;&lt;p&gt;Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;Waft thy glad message to each distant shore,
&lt;/p&gt;&lt;p&gt;"Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Published for
&lt;/p&gt;&lt;p&gt;Band .50
&lt;/p&gt;&lt;p&gt;Orchestra (Small) .50
&lt;/p&gt;&lt;p&gt;Orchestra (Large) .75
&lt;/p&gt;&lt;p&gt;PRICES
&lt;/p&gt;&lt;p&gt;Single copies, 25c postpaid
20 copies or more, 20c each
&lt;/p&gt;&lt;p&gt;Order from Distributor: BERNARD MUSIC SHOP 221 South Fifth St., Springfield, Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FLAG EVER GLORIOUS
&lt;/p&gt;&lt;p&gt;Words and Music by WILLIAM DODD CHENERY.
&lt;/p&gt;&lt;p&gt;1. Flag ever glorious, flag of the free, Wave thou victorious
&lt;/p&gt;&lt;p&gt;2. Flag ever glorious, thy colors bright, Herald the tidings of
&lt;/p&gt;&lt;p&gt;3. Flag ever glorious, hail to thy worth, Gift of THE FATHER at
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] o'er land o'er sea; With thy appearing, unbidden we rise,
&lt;/p&gt;&lt;p&gt;[2.] justice of right; Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;[3.] Liberty's birth; In thy enfolding the weak, the opprest,
&lt;/p&gt;&lt;p&gt;Copyright 1916 by William Dodd Chenery
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[1.] Hail thee, proud banner, aloft in the skies. Pines of the North thy great
&lt;/p&gt;&lt;p&gt;[2.] Float on in triumph when tumult shall cease. Hail to thy Navy, it's
&lt;/p&gt;&lt;p&gt;[3.] Find a safe haven, O! flag ever blest. Shine ye through all the night,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] glories proclaim, Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;[2.] valor our pride, Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;[3.] O! radiant stars, Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] Out from the East rolls the anthem of praise, Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;[2.] Danger defying, defending thy land, Honor upholding, united they stand.
&lt;/p&gt;&lt;p&gt;[3.] Waft thy glad message to each distant shore, "Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;H.S. Talbot &amp;amp; Co. Music Printers, Chicago.
&lt;/p&gt;
&lt;hr /&gt;

</text>
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                <name>Status</name>
                <description>The current transcription status of a document or a page.</description>
                <elementTextContainer>
                  <elementText elementTextId="549106">
                    <text>Complete</text>
                  </elementText>
                </elementTextContainer>
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    <collection collectionId="324">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249726">
                  <text>Illinois Sheet Music and Song Books Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="414170">
              <text>4</text>
            </elementText>
            <elementText elementTextId="414171">
              <text>33 cm</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="414158">
                <text>200119</text>
              </elementText>
              <elementText elementTextId="414159">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414160">
                <text>CD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414161">
                <text>Flag Ever Glorious</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414162">
                <text>Lyrics depict American flag and its role in patriotism. "Suitable for all Patriotic Occasions" Lyrics on cover.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414163">
                <text>Patriotic music</text>
              </elementText>
              <elementText elementTextId="414164">
                <text>Flags--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414166">
                <text>Chenery, W. D.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414167">
                <text>Bernard Music Shop</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414168">
                <text>Springfield, IL</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414169">
                <text>1916</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414172">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414173">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414175">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="7">
        <name>Scripto</name>
        <description>Manages transcriptions of items and files</description>
        <elementContainer>
          <element elementId="138">
            <name>Transcription</name>
            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
              <elementText elementTextId="549105">
                <text>&lt;p&gt;Flag Ever Glorious
&lt;/p&gt;&lt;p&gt;ANTHEM
&lt;/p&gt;&lt;p&gt;Suitable for all Patriotic Occasions by William Dodd Chenery
&lt;/p&gt;&lt;p&gt;Flag ever glorious, flag of the free,
&lt;/p&gt;&lt;p&gt;Wave thou victorious o'er land, o'er sea;
&lt;/p&gt;&lt;p&gt;With thy appearing unbidden we rise,
&lt;/p&gt;&lt;p&gt;Hail thee, proud banner, aloft in the skies.
&lt;/p&gt;&lt;p&gt;Pines in the North thy great glories proclaim,
&lt;/p&gt;&lt;p&gt;Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;Out from the East rolls the anthem of praise,
&lt;/p&gt;&lt;p&gt;Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, thy colors bright,
&lt;/p&gt;&lt;p&gt;Herald the tidings of justice, of right;
&lt;/p&gt;&lt;p&gt;Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;Float on in triumph when tumult shall cease.
&lt;/p&gt;&lt;p&gt;Hail to thy Navy, its valor our pride,
&lt;/p&gt;&lt;p&gt;Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;Danger defying, defending thy land,
&lt;/p&gt;&lt;p&gt;Honor upholding united they stand.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Flag ever glorious, hail to thy worth,
&lt;/p&gt;&lt;p&gt;Gift of THE FATHER at Liberty's birth;
&lt;/p&gt;&lt;p&gt;In thy enfolding the weak, the opprest
&lt;/p&gt;&lt;p&gt;Find a safe haven, O, flag ever blest.
&lt;/p&gt;&lt;p&gt;Shine ye through all the night, O, radiant stars,
&lt;/p&gt;&lt;p&gt;Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;Waft thy glad message to each distant shore,
&lt;/p&gt;&lt;p&gt;"Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;Published for
&lt;/p&gt;&lt;p&gt;Band .50
&lt;/p&gt;&lt;p&gt;Orchestra (Small) .50
&lt;/p&gt;&lt;p&gt;Orchestra (Large) .75
&lt;/p&gt;&lt;p&gt;PRICES
&lt;/p&gt;&lt;p&gt;Single copies, 25c postpaid
20 copies or more, 20c each
&lt;/p&gt;&lt;p&gt;Order from Distributor: BERNARD MUSIC SHOP 221 South Fifth St., Springfield, Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FLAG EVER GLORIOUS
&lt;/p&gt;&lt;p&gt;Words and Music by WILLIAM DODD CHENERY.
&lt;/p&gt;&lt;p&gt;1. Flag ever glorious, flag of the free, Wave thou victorious
&lt;/p&gt;&lt;p&gt;2. Flag ever glorious, thy colors bright, Herald the tidings of
&lt;/p&gt;&lt;p&gt;3. Flag ever glorious, hail to thy worth, Gift of THE FATHER at
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] o'er land o'er sea; With thy appearing, unbidden we rise,
&lt;/p&gt;&lt;p&gt;[2.] justice of right; Hail, mighty banner, thou emblem of peace,
&lt;/p&gt;&lt;p&gt;[3.] Liberty's birth; In thy enfolding the weak, the opprest,
&lt;/p&gt;&lt;p&gt;Copyright 1916 by William Dodd Chenery
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[1.] Hail thee, proud banner, aloft in the skies. Pines of the North thy great
&lt;/p&gt;&lt;p&gt;[2.] Float on in triumph when tumult shall cease. Hail to thy Navy, it's
&lt;/p&gt;&lt;p&gt;[3.] Find a safe haven, O! flag ever blest. Shine ye through all the night,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] glories proclaim, Palms of the South chant thy marvelous fame,
&lt;/p&gt;&lt;p&gt;[2.] valor our pride, Hail to thy Army that fought by its side,
&lt;/p&gt;&lt;p&gt;[3.] O! radiant stars, Glow in the morning light, red and white bars,
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;[1.] Out from the East rolls the anthem of praise, Plains of the West the loud echoes upraise.
&lt;/p&gt;&lt;p&gt;[2.] Danger defying, defending thy land, Honor upholding, united they stand.
&lt;/p&gt;&lt;p&gt;[3.] Waft thy glad message to each distant shore, "Peace to the Nations abide evermore."
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;H.S. Talbot &amp;amp; Co. Music Printers, Chicago.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;THE FIRST BATTLE SONG
STEPHEN TAYLOR DEKINS.
COPYRIGHT 1897 
PUBLISHED BY 
STEPHEN TAYLOR DEKINS.
VIRGINIA, ILLS
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;1. The bright star of the west, Still shines a mid the gloom; Cheer up, ye honest working men, In nineteen hundred firmly stand A-gainst the gold-bugs of our land......
2. Mark Hanna and his little game, caused defeat in the last campaign, Intimidation was the plan--Plenty of money in his hand To overthrow the working man..........
3. Prosperity will never come, Unless we have sixteen to one; The battle cry has just begun, Nebraska's son is not outdone; In nineteen hundred he will run......
4. The second battle must be fought. And Bryan's book will be bought In nineteen hundred we will see, The gold and silver jubilee, And then we'll have prosperity........
&lt;/p&gt;&lt;p&gt;REFRAIN In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
SOPRANO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
ALTO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
TENOR In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1897, by Stephen Taylor Dekins
&lt;/p&gt;
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                <text>William Jennings Bryan campaign song for 1900 election. Cover depicts portrait of William Jennings Bryan and a drawing of justice.</text>
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                <text>Songs with piano</text>
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                <text>Campaign songs</text>
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                <text>Marches</text>
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                <text>Goddesses, Greek</text>
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                <text>&lt;p&gt;THE FIRST BATTLE SONG
STEPHEN TAYLOR DEKINS.
COPYRIGHT 1897 
PUBLISHED BY 
STEPHEN TAYLOR DEKINS.
VIRGINIA, ILLS
&lt;/p&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;p&gt;1. The bright star of the west, Still shines a mid the gloom; Cheer up, ye honest working men, In nineteen hundred firmly stand A-gainst the gold-bugs of our land......
2. Mark Hanna and his little game, caused defeat in the last campaign, Intimidation was the plan--Plenty of money in his hand To overthrow the working man..........
3. Prosperity will never come, Unless we have sixteen to one; The battle cry has just begun, Nebraska's son is not outdone; In nineteen hundred he will run......
4. The second battle must be fought. And Bryan's book will be bought In nineteen hundred we will see, The gold and silver jubilee, And then we'll have prosperity........
&lt;/p&gt;&lt;p&gt;REFRAIN In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
SOPRANO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
ALTO In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
TENOR In the year of nineteen hundred, We intend to take a stand, And buckle on the armor, for the double standard man......
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1897, by Stephen Taylor Dekins
&lt;/p&gt;
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                    <text>&lt;p&gt;FAIRY WALTZ
&lt;/p&gt;&lt;p&gt;COMPOSED BY J. A. DOANE Professor of Music at Clark Seminar, Aurora, IL
&lt;/p&gt;&lt;p&gt;CHICAGO
&lt;/p&gt;&lt;p&gt;Published by Lyoo [sic Lyon] &amp;amp; Healy Clark &amp;amp; Washington Sts.
&lt;/p&gt;&lt;p&gt;Boston D. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;New York T. Firth.
&lt;/p&gt;&lt;p&gt;Phila C.W.A. Trumpler
&lt;/p&gt;&lt;p&gt;Cinn. I. Church Jr.
&lt;/p&gt;&lt;p&gt;Chicago Western News Co.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress 1866 by Lyon &amp;amp; Healy in the District Office of the Northern Court of Ill.[?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FAIRY WALTZ.
&lt;/p&gt;&lt;p&gt;J. A. DOANE.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;
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                <text>Instrumental music. Cover depicts fairy in the middle of a lily pad</text>
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                <text>Doane, J. A.</text>
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                <text>&lt;p&gt;FAIRY WALTZ
&lt;/p&gt;&lt;p&gt;COMPOSED BY J. A. DOANE Professor of Music at Clark Seminar, Aurora, IL
&lt;/p&gt;&lt;p&gt;CHICAGO
&lt;/p&gt;&lt;p&gt;Published by Lyoo [sic Lyon] &amp;amp; Healy Clark &amp;amp; Washington Sts.
&lt;/p&gt;&lt;p&gt;Boston D. Ditson &amp;amp; Co.
&lt;/p&gt;&lt;p&gt;New York T. Firth.
&lt;/p&gt;&lt;p&gt;Phila C.W.A. Trumpler
&lt;/p&gt;&lt;p&gt;Cinn. I. Church Jr.
&lt;/p&gt;&lt;p&gt;Chicago Western News Co.
&lt;/p&gt;&lt;p&gt;Entered according to act of Congress 1866 by Lyon &amp;amp; Healy in the District Office of the Northern Court of Ill.[?]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;FAIRY WALTZ.
&lt;/p&gt;&lt;p&gt;J. A. DOANE.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;---
&lt;/p&gt;
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                    <text>&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts 
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham
&lt;/p&gt;&lt;p&gt;The Solo Shop Mail Address Lock Box 254 Charleston, Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham  Piano score by Malcolm Lee
&lt;/p&gt;&lt;p&gt;Tempo di valse
&lt;/p&gt;&lt;p&gt;1. Fair Illinois! Majestic State Calm guardian of the inland gate. (1) Beneath the wide encirc'ling skies, Regal and beautiful you rise. The fruitful verdure of the plain Orchard and wood, and waving grain. Bright sparkling stream and jewelled lake, (2) Your lovely flowing garments make.
&lt;/p&gt;&lt;p&gt;2. My Illinois! Broad prairies fair Upon your comely head you bear. Proud as a queen, her jewelled crown; Hills storied of Galena (3)town. Where sunrise kindles wave and tow'r. (4) There surges with unwearying pow'r. Beneath the world's great teeming mart, (5) The singing current of your heart.
&lt;/p&gt;&lt;p&gt;3. Dear Illinois! Your arms clasp round The shrines on Sangamon's (6) hallowed ground; And where the mighty waters meet (7) Is set the imprint of your 
feet. O beautiful beloved land. In war, in peace, thus ever stand, and we your children pledge to you Our faith, our hope, our homage true.
&lt;/p&gt;&lt;p&gt;Copyright 1949 by Frank Cottingham, Elgin, Illinois. All rights reserved. Including the rights of public performance for profit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Legend: (1) City of Chicago. (2) Lake Michigan. (3) Home of former President Grant. (4) Lake front. (5) City of Chicago. (6) Springfield. New Salem. (7) Cairo-confluence of the Ohio and the Mississippi.
&lt;/p&gt;
&lt;hr /&gt;

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              <text>4</text>
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              <elementText elementTextId="414099">
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                <text>CD</text>
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          <element elementId="50">
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                <text>Lyrics depict Illinois geography, natural resources, and cities.</text>
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                <text>Music for piano</text>
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                <text>Songs with piano</text>
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                <text>Cottingham, Frank</text>
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                <text>The Solo Shop</text>
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                <text>Charleston, IL</text>
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              <elementText elementTextId="414117">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="414119">
                <text>eng</text>
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                <text>&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts 
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham
&lt;/p&gt;&lt;p&gt;The Solo Shop Mail Address Lock Box 254 Charleston, Illinois
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Fair Illinois
&lt;/p&gt;&lt;p&gt;Lyrics by Florence Cecelia Roberts
&lt;/p&gt;&lt;p&gt;Music by Frank Cottingham  Piano score by Malcolm Lee
&lt;/p&gt;&lt;p&gt;Tempo di valse
&lt;/p&gt;&lt;p&gt;1. Fair Illinois! Majestic State Calm guardian of the inland gate. (1) Beneath the wide encirc'ling skies, Regal and beautiful you rise. The fruitful verdure of the plain Orchard and wood, and waving grain. Bright sparkling stream and jewelled lake, (2) Your lovely flowing garments make.
&lt;/p&gt;&lt;p&gt;2. My Illinois! Broad prairies fair Upon your comely head you bear. Proud as a queen, her jewelled crown; Hills storied of Galena (3)town. Where sunrise kindles wave and tow'r. (4) There surges with unwearying pow'r. Beneath the world's great teeming mart, (5) The singing current of your heart.
&lt;/p&gt;&lt;p&gt;3. Dear Illinois! Your arms clasp round The shrines on Sangamon's (6) hallowed ground; And where the mighty waters meet (7) Is set the imprint of your 
feet. O beautiful beloved land. In war, in peace, thus ever stand, and we your children pledge to you Our faith, our hope, our homage true.
&lt;/p&gt;&lt;p&gt;Copyright 1949 by Frank Cottingham, Elgin, Illinois. All rights reserved. Including the rights of public performance for profit.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Legend: (1) City of Chicago. (2) Lake Michigan. (3) Home of former President Grant. (4) Lake front. (5) City of Chicago. (6) Springfield. New Salem. (7) Cairo-confluence of the Ohio and the Mississippi.
&lt;/p&gt;
&lt;hr /&gt;

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                <text>20</text>
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  <item itemId="29178" public="1" featured="0">
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        <src>https://mail.chroniclingillinois.org/files/original/6573d23b50832fa0ab7b6304bf32d229.pdf</src>
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                    <text>&lt;p&gt;TO THE MEMORY OF COL. E. E. ELLSWORTH. WHO FELL AT ALEXANDRIA, VA. MAY 24TH 1861
&lt;/p&gt;&lt;p&gt;"I am perfectly content to accept whatever my fortune may be, confident that He who noteth even the fall of a sparrow will have some purpose even in the fate of one like me."
&lt;/p&gt;&lt;p&gt;COL. ELLSWORTH REQUIEM MARCH BY A. J. VAAS. PUBLISHIED BY ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;&lt;p&gt;"SADLY THE BELLS TOLL THE DEATH OF THE HERO."
&lt;/p&gt;&lt;p&gt;PUBLISHED BY A. JUDSON HIGGINS, CHICAGO. "SONG" BY A.B.TOBEY
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet with scribbles on it]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ELLSWORTH ZOUAVE AND NATIONAL LANCERS GREETING MARCH.  A. BAUMBACH
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D.1866, by Root &amp;amp; Cady, in the Clerk's office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;

</text>
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              <name>Title</name>
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="249728">
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414093">
              <text>8</text>
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            <elementText elementTextId="414094">
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                <text>200115</text>
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              <elementText elementTextId="414078">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
              <elementText elementTextId="414079">
                <text>CD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414080">
                <text>Col Ellsworth Requiem March</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414081">
                <text>Instrumental music. "To the memory of Col E. E. Ellsworth who fell at Alexandria, VA. May 24, 1861." Cover depicts portrait of Col. Ellsworth with images of him in battle and crowds at grave surrounded by flags and vines. Name Emily M. Bristol (Robinson) written in pencil in upper right corner on front cover.</text>
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          <element elementId="49">
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            <elementTextContainer>
              <elementText elementTextId="414082">
                <text>Ellsworth, C. E. (Elmer Ephraim), 1837-1861</text>
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              <elementText elementTextId="414083">
                <text>Songs and music</text>
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              <elementText elementTextId="414084">
                <text>Sheet Music</text>
              </elementText>
              <elementText elementTextId="414085">
                <text>Marches (Piano)</text>
              </elementText>
              <elementText elementTextId="414086">
                <text>Funeral Music</text>
              </elementText>
              <elementText elementTextId="414087">
                <text>War songs</text>
              </elementText>
              <elementText elementTextId="414088">
                <text>War--Songs and Music</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414089">
                <text>Vass, A. J.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="414090">
                <text>Root &amp;amp; Cady</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="414091">
                <text>Chicago</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414092">
                <text>1866</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414095">
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="414096">
                <text>Abraham Lincoln Presidential Library and Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="414098">
                <text>eng</text>
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            </elementTextContainer>
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        <description>Manages transcriptions of items and files</description>
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          <element elementId="138">
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            <description>A written representation of a document or a page.</description>
            <elementTextContainer>
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                <text>&lt;p&gt;TO THE MEMORY OF COL. E. E. ELLSWORTH. WHO FELL AT ALEXANDRIA, VA. MAY 24TH 1861
&lt;/p&gt;&lt;p&gt;"I am perfectly content to accept whatever my fortune may be, confident that He who noteth even the fall of a sparrow will have some purpose even in the fate of one like me."
&lt;/p&gt;&lt;p&gt;COL. ELLSWORTH REQUIEM MARCH BY A. J. VAAS. PUBLISHIED BY ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;&lt;p&gt;"SADLY THE BELLS TOLL THE DEATH OF THE HERO."
&lt;/p&gt;&lt;p&gt;PUBLISHED BY A. JUDSON HIGGINS, CHICAGO. "SONG" BY A.B.TOBEY
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank sheet with scribbles on it]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ELLSWORTH ZOUAVE AND NATIONAL LANCERS GREETING MARCH.  A. BAUMBACH
&lt;/p&gt;&lt;p&gt;Tempo di Marcia. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D.1866, by Root &amp;amp; Cady, in the Clerk's office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;SM Don-1
&lt;/p&gt;&lt;p&gt;DOWN BY THE EMBARRAS  (pronounced AHM'BRAH)
&lt;/p&gt;&lt;p&gt;To Ralph G. Newman
&lt;/p&gt;&lt;p&gt;Adapted to the Illinois Scene From A Southwestern Folk Song "Brazos River" by Win Stracke
&lt;/p&gt;&lt;p&gt;Of the original song Vance Randolph Says; "sung by Mrs. Irene Carlisle, Fayatteville, MO. Mrs Carlisle learned it from a hired hand who had lived in Texas"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. I'VE CROSSED THE DES PLAINES AND I'VE FORDED THE VER - MIL- ION I'VE SWUM THE LITTLE
&lt;/p&gt;&lt;p&gt;WABASH I'VE FOLLOWED THE AP - PLE  THE CAL - U- MET'S MUDDY THE ROCK RIVER
&lt;/p&gt;&lt;p&gt;CLEAR  BUT DOWN BY THE EMBARRAS  I COURTED MY DEAR
&lt;/p&gt;&lt;p&gt;{Chorus}
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;THERE'S MANY A RIV - ER THAT WATERS THE LAND
&lt;/p&gt;&lt;p&gt;2. THE BROAD ILLINOIS IT RUNS GLOSSY AND GLIDING
&lt;/p&gt;&lt;p&gt;THE COOKED KASKASKIA RUNS WEAVING AND WINDING
&lt;/p&gt;&lt;p&gt;OLD ABE LINCOLNS SANGAMON, IT COURSES THE PLAIN
&lt;/p&gt;&lt;p&gt;AND I NEVER WILL WALK BY THE EMBARRAS AGAIN.
&lt;/p&gt;&lt;p&gt;3. SHE HUGGED ME SHE KISSED ME SHE CALLED ME HER DANDY
&lt;/p&gt;&lt;p&gt;THE MACKINAW'S ROCKY, THE KANKAKEE SANDY
&lt;/p&gt;&lt;p&gt;SHE KISSED ME, SHE HUGGED ME, SHE CALLED ME HER OWN
&lt;/p&gt;&lt;p&gt;BUT DOWN BY THE EMBARRAS SHE LEFT ME ALONE
&lt;/p&gt;&lt;p&gt;4. THE GIRLS OF THE FOX, O THEY'RE PLUMP AND THEY'RE PRETTY
&lt;/p&gt;&lt;p&gt;THE SPOON AND MACAUPIN HAVE MANY A BEAUTY
&lt;/p&gt;&lt;p&gt;THE CHICAGO FLOWS SLOWLY PAST GIRLS BY THE SCORE
&lt;/p&gt;&lt;p&gt;SO DOWN BY THE EMBARRAS I'LL WANDER NO MORE.
&lt;/p&gt;&lt;p&gt;PRONUNCIATIONS: AUTHORITY, MR. PAUL ANGLE
&lt;/p&gt;&lt;p&gt;Director, Chicago Historian Society
&lt;/p&gt;&lt;p&gt;EMBARRAS = AMBRA
&lt;/p&gt;&lt;p&gt;DES PLAINES = DES - PLANZ
&lt;/p&gt;&lt;p&gt;MACAUPIN = MA - KOO - PIN
&lt;/p&gt;&lt;p&gt;@ COPYRIGHT 1963 BY WIN STRACKE
&lt;/p&gt;
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              <text>3</text>
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                <text>Lyrics refer to rivers in Illinois.</text>
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                <text>Stracke, Win</text>
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                <text>&lt;p&gt;SM Don-1
&lt;/p&gt;&lt;p&gt;DOWN BY THE EMBARRAS  (pronounced AHM'BRAH)
&lt;/p&gt;&lt;p&gt;To Ralph G. Newman
&lt;/p&gt;&lt;p&gt;Adapted to the Illinois Scene From A Southwestern Folk Song "Brazos River" by Win Stracke
&lt;/p&gt;&lt;p&gt;Of the original song Vance Randolph Says; "sung by Mrs. Irene Carlisle, Fayatteville, MO. Mrs Carlisle learned it from a hired hand who had lived in Texas"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
1. I'VE CROSSED THE DES PLAINES AND I'VE FORDED THE VER - MIL- ION I'VE SWUM THE LITTLE
&lt;/p&gt;&lt;p&gt;WABASH I'VE FOLLOWED THE AP - PLE  THE CAL - U- MET'S MUDDY THE ROCK RIVER
&lt;/p&gt;&lt;p&gt;CLEAR  BUT DOWN BY THE EMBARRAS  I COURTED MY DEAR
&lt;/p&gt;&lt;p&gt;{Chorus}
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;LI - LA - LI  LEE LEE LEE GIVE ME YOUR HAND
&lt;/p&gt;&lt;p&gt;THERE'S MANY A RIV - ER THAT WATERS THE LAND
&lt;/p&gt;&lt;p&gt;2. THE BROAD ILLINOIS IT RUNS GLOSSY AND GLIDING
&lt;/p&gt;&lt;p&gt;THE COOKED KASKASKIA RUNS WEAVING AND WINDING
&lt;/p&gt;&lt;p&gt;OLD ABE LINCOLNS SANGAMON, IT COURSES THE PLAIN
&lt;/p&gt;&lt;p&gt;AND I NEVER WILL WALK BY THE EMBARRAS AGAIN.
&lt;/p&gt;&lt;p&gt;3. SHE HUGGED ME SHE KISSED ME SHE CALLED ME HER DANDY
&lt;/p&gt;&lt;p&gt;THE MACKINAW'S ROCKY, THE KANKAKEE SANDY
&lt;/p&gt;&lt;p&gt;SHE KISSED ME, SHE HUGGED ME, SHE CALLED ME HER OWN
&lt;/p&gt;&lt;p&gt;BUT DOWN BY THE EMBARRAS SHE LEFT ME ALONE
&lt;/p&gt;&lt;p&gt;4. THE GIRLS OF THE FOX, O THEY'RE PLUMP AND THEY'RE PRETTY
&lt;/p&gt;&lt;p&gt;THE SPOON AND MACAUPIN HAVE MANY A BEAUTY
&lt;/p&gt;&lt;p&gt;THE CHICAGO FLOWS SLOWLY PAST GIRLS BY THE SCORE
&lt;/p&gt;&lt;p&gt;SO DOWN BY THE EMBARRAS I'LL WANDER NO MORE.
&lt;/p&gt;&lt;p&gt;PRONUNCIATIONS: AUTHORITY, MR. PAUL ANGLE
&lt;/p&gt;&lt;p&gt;Director, Chicago Historian Society
&lt;/p&gt;&lt;p&gt;EMBARRAS = AMBRA
&lt;/p&gt;&lt;p&gt;DES PLAINES = DES - PLANZ
&lt;/p&gt;&lt;p&gt;MACAUPIN = MA - KOO - PIN
&lt;/p&gt;&lt;p&gt;@ COPYRIGHT 1963 BY WIN STRACKE
&lt;/p&gt;
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                    <text>&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;Composed by H. GRANTE, Chicago.
&lt;/p&gt;&lt;p&gt;Published by A. JUDSON HIGGINS
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by A. Judson Higgins in the Clerks Office of U.S. District Court of the Northern Districts
&lt;/p&gt;&lt;p&gt;"Be Sure and buy your music at Pearson's. He keeps the best assortment."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;H. Grante
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                <text>Instrumental music in honor of Stephen A. Douglas.</text>
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                <text>Funeral Music</text>
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                <text>&amp;nbsp;Grante, H.</text>
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                <text>&amp;nbsp;Higgins, A. Judson</text>
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                <text>&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;Composed by H. GRANTE, Chicago.
&lt;/p&gt;&lt;p&gt;Published by A. JUDSON HIGGINS
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1861 by A. Judson Higgins in the Clerks Office of U.S. District Court of the Northern Districts
&lt;/p&gt;&lt;p&gt;"Be Sure and buy your music at Pearson's. He keeps the best assortment."
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DOUGLAS FUNERAL MARCH
&lt;/p&gt;&lt;p&gt;H. Grante
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Dr. Keeley's Triumphal March
&lt;/p&gt;&lt;p&gt;Respectfully Dedicated to the Bi-Chloride of Gold Club of the World
&lt;/p&gt;&lt;p&gt;For Sale at B.C. of G. Clubs all over the world.
&lt;/p&gt;&lt;p&gt;50 cents.
&lt;/p&gt;&lt;p&gt;Composed and Arranged by Amos. O. Cole. Lass Sep. 91
&lt;/p&gt;&lt;p&gt;Published by 101 Hickory St. Kankakee Ill.
&lt;/p&gt;&lt;p&gt;[handwriting on page: Bought from the Publisher by "Peter Daniel Kern"&amp;#160;; Mrs. Peter D. Kern Sr. "Florence" Nov. 11th 1953]
&lt;/p&gt;&lt;p&gt;[photo of Club Room at Dwight 1891-92.]  [handwriting: the first church in Dwight]
&lt;/p&gt;&lt;p&gt;[handwriting: to James Onghton Jr. "Buy"]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DR. KEELEY'S TRIUMPHAL MARCH. AMOS O. COLE.
&lt;/p&gt;&lt;p&gt;Copyright 1892, by A. O. Cole.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
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&lt;hr /&gt;
&lt;p&gt;5 [music]
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&lt;hr /&gt;

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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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                <text>Dr. Keeley's Triumphal March</text>
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                <text>The Keeley Institute was founded in Dwight in 1879 by Leslie Keeley, and, until it closed its doors in 1965, offered treatment to cure alcoholism. At the peak of the institute's popularity, there were more than 200 locations across the U.S. and in Europe.</text>
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                <text>Cole, Amos O.</text>
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                <text>&lt;p&gt;Dr. Keeley's Triumphal March
&lt;/p&gt;&lt;p&gt;Respectfully Dedicated to the Bi-Chloride of Gold Club of the World
&lt;/p&gt;&lt;p&gt;For Sale at B.C. of G. Clubs all over the world.
&lt;/p&gt;&lt;p&gt;50 cents.
&lt;/p&gt;&lt;p&gt;Composed and Arranged by Amos. O. Cole. Lass Sep. 91
&lt;/p&gt;&lt;p&gt;Published by 101 Hickory St. Kankakee Ill.
&lt;/p&gt;&lt;p&gt;[handwriting on page: Bought from the Publisher by "Peter Daniel Kern"&amp;#160;; Mrs. Peter D. Kern Sr. "Florence" Nov. 11th 1953]
&lt;/p&gt;&lt;p&gt;[photo of Club Room at Dwight 1891-92.]  [handwriting: the first church in Dwight]
&lt;/p&gt;&lt;p&gt;[handwriting: to James Onghton Jr. "Buy"]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DR. KEELEY'S TRIUMPHAL MARCH. AMOS O. COLE.
&lt;/p&gt;&lt;p&gt;Copyright 1892, by A. O. Cole.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;3 [music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;5 [music]
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;Rag-Cake Walk. March-Two-Step 50.
&lt;/p&gt;&lt;p&gt;By C. N. BUCHANAN Author of Sons of Love.  K.M.K.C. March
&lt;/p&gt;&lt;p&gt;Alexander Club Two-Step
&lt;/p&gt;&lt;p&gt;Published by C. N. BUCHANAN, CAIRO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;RAG-CAKE WALK, MARCH-TWO-STEP
&lt;/p&gt;&lt;p&gt;C. N. BUCHANAN
&lt;/p&gt;&lt;p&gt;Tempo di Marcia.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyright 1899 by C. N. Buchanan.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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      <name>Document</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="414005">
              <text>6</text>
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                <text>Illinois Sheet Music Collection</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dixie Doodle: Rag-cake walk, march two-step</text>
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            <description>An account of the resource</description>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Piano Music (Ragtime)</text>
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              <elementText elementTextId="413996">
                <text>Buchanan, C. N.</text>
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                <text>Cakewalk (Dance)</text>
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                <text>Ragtime</text>
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                <text>Sheet music</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="414008">
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="414010">
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            <description>A written representation of a document or a page.</description>
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                <text>&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;Rag-Cake Walk. March-Two-Step 50.
&lt;/p&gt;&lt;p&gt;By C. N. BUCHANAN Author of Sons of Love.  K.M.K.C. March
&lt;/p&gt;&lt;p&gt;Alexander Club Two-Step
&lt;/p&gt;&lt;p&gt;Published by C. N. BUCHANAN, CAIRO, ILL.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DIXIE DOODLE
&lt;/p&gt;&lt;p&gt;RAG-CAKE WALK, MARCH-TWO-STEP
&lt;/p&gt;&lt;p&gt;C. N. BUCHANAN
&lt;/p&gt;&lt;p&gt;Tempo di Marcia.
&lt;/p&gt;&lt;p&gt;[music]
&lt;/p&gt;&lt;p&gt;Copyright 1899 by C. N. Buchanan.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[music]
&lt;/p&gt;
&lt;hr /&gt;

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          <element elementId="142">
            <name>Weight</name>
            <description>A 6-digit number used to sort items quickly.</description>
            <elementTextContainer>
              <elementText elementTextId="599593">
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  <item itemId="29173" public="1" featured="0">
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                    <text>&lt;p&gt;DIRGE FOR A SOLDIER.
Chicago H.M. HIGGINS 117 Randolph St.
Words by Geo. H. Boker.
Music by A.C. Gutterson
&lt;/p&gt;&lt;p&gt;1. Close his eyes his work is done, What to him is friend or foeman; Rise of moon or
set of sun, Hand of man or kiss of woman.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. As man may, he fought his fight, Prov'd his truth by his en-dea-vor, Let him sleep in solemn night Sleep forever and forever.
&lt;/p&gt;&lt;p&gt;3. Fold him in his country's stars, Roll the drum and fire the volley, What to him are all our wars, What but death be-mocking fol-ly
&lt;/p&gt;&lt;p&gt;4. Leave him to God's watching eye, Trust him to the hand that made him, Mortal love sweeps i-dly by, God a-lone has pow'r to aid him.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;CHORUS.    cres.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow, Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow,  Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;cres. What cares he, he cannot know. 
&lt;/p&gt;&lt;p&gt;adagio.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1864. by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Ill.
&lt;/p&gt;&lt;p&gt;183456
&lt;/p&gt;
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              <text>2</text>
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            <name>Title</name>
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                <text>Dirge for a Soldier</text>
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          <element elementId="41">
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                <text>Funerary song for soldier</text>
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                <text>Funeral music</text>
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                <text>Sheet music</text>
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                <text>Gutterson, A. C.</text>
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                <text>Gutterson, &amp;nbsp;A. C.</text>
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                <text>Boker, George H. (George Henry), 1823-1890</text>
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              <elementText elementTextId="413981">
                <text>Higgins, H. M.</text>
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            <name>Coverage</name>
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                <text>Chicago</text>
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                <text>1864</text>
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              <elementText elementTextId="413987">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;DIRGE FOR A SOLDIER.
Chicago H.M. HIGGINS 117 Randolph St.
Words by Geo. H. Boker.
Music by A.C. Gutterson
&lt;/p&gt;&lt;p&gt;1. Close his eyes his work is done, What to him is friend or foeman; Rise of moon or
set of sun, Hand of man or kiss of woman.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. As man may, he fought his fight, Prov'd his truth by his en-dea-vor, Let him sleep in solemn night Sleep forever and forever.
&lt;/p&gt;&lt;p&gt;3. Fold him in his country's stars, Roll the drum and fire the volley, What to him are all our wars, What but death be-mocking fol-ly
&lt;/p&gt;&lt;p&gt;4. Leave him to God's watching eye, Trust him to the hand that made him, Mortal love sweeps i-dly by, God a-lone has pow'r to aid him.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;CHORUS.    cres.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow, Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;Lay him low, Lay him low, in the clover or the snow,  Lay him low, Lay him low.
&lt;/p&gt;&lt;p&gt;cres. What cares he, he cannot know. 
&lt;/p&gt;&lt;p&gt;adagio.
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress, A.D. 1864. by H.M. HIGGINS, in the Clerk's Office of the District Court for the Northern District of Ill.
&lt;/p&gt;&lt;p&gt;183456
&lt;/p&gt;
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                <text>20</text>
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                  <elementText elementTextId="566332">
                    <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

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                  <text>Illinois Sheet Music and Song Books Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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            <elementText elementTextId="413965">
              <text>5</text>
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              <elementText elementTextId="413952">
                <text>200109</text>
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              <elementText elementTextId="413953">
                <text>Illinois Sheet Music Collection</text>
              </elementText>
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                <text>CD</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="413955">
                <text>Dinna Fret</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="413956">
                <text>Lyrics describe worry for loved one</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="413957">
                <text>Songs with piano</text>
              </elementText>
              <elementText elementTextId="413958">
                <text>Sheet music</text>
              </elementText>
              <elementText elementTextId="413959">
                <text>Love song</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="413961">
                <text>Estabrook, G.</text>
              </elementText>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="413962">
                <text>The Chicago Music Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="413963">
                <text>Chicago</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="413964">
                <text>1835</text>
              </elementText>
            </elementTextContainer>
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              <elementText elementTextId="413968">
                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;SONGS OF ESTABROOK
&lt;/p&gt;&lt;p&gt;A Dream. 35 c
&lt;/p&gt;&lt;p&gt;Hopeless. 35 c
&lt;/p&gt;&lt;p&gt;My Mothers hands. 35
&lt;/p&gt;&lt;p&gt;Dinna Fret. 35
&lt;/p&gt;&lt;p&gt;Adieu. 35
&lt;/p&gt;&lt;p&gt;The One Little Child. 35
&lt;/p&gt;&lt;p&gt;Chicago. The Chicago Music Co. 148-150 Wabash Ave.
&lt;/p&gt;&lt;p&gt;New York. Wm. A. Pond &amp;amp; Co. 35 Union Square
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DINNA FRET.  Music by G. Estabrook
&lt;/p&gt;&lt;p&gt;Is the road very dreary? Patience yet! Rest will be sweeter if thou art aweary And after
night, Cometh the morning cheery! Then, 'bide a wee"! Then, "bide a wee"
&lt;/p&gt;&lt;p&gt;Sharper sting grief will burrow [illegible] regret. But yesterday is gone and shall its sorrow Unfit us for the
present, Unfit us for the morrow? Nay, "bide a wee!" Nay, "bide a wee"
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Copyright 1885 by THE CHICAGO MUSIC CO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;And, dinna fret.
&lt;/p&gt;&lt;p&gt;The clouds have silver lining. Don't forget. And though he's hidden The sun is still shineing.
Courage! instead of tears, Of tears, and vain repining. 
&lt;/p&gt;&lt;p&gt;With toil and cares unending Art beset Behold the tempest, From heav'n descending.
Severs the might oak, But spares the willow bending.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;
Rest will be sweeter if thou art aweary And after night cometh the morning cheery!
&lt;/p&gt;&lt;p&gt;Then "bide a wee"! 
Then "bide a wee"!  
&lt;/p&gt;&lt;p&gt;Nay "bide a wee"!
Nay, "bide a wee"!  
&lt;/p&gt;&lt;p&gt;And, dinna fret.
&lt;/p&gt;
&lt;hr /&gt;

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                <text>20</text>
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  <item itemId="29171" public="1" featured="0">
    <fileContainer>
      <file fileId="28670">
        <src>https://mail.chroniclingillinois.org/files/original/66830b4fade91dc914358235b595aa86.pdf</src>
        <authentication>44d5d54ce60025a2088276727195460b</authentication>
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              <element elementId="138">
                <name>Transcription</name>
                <description>A written representation of a document or a page.</description>
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                  <elementText elementTextId="561278">
                    <text>&lt;p&gt;United States Senate
Committee on Banking and Currency
Washington, D.C. 20510
&lt;/p&gt;&lt;p&gt;Downstate Office 
Senators Dirksen and Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Honorable Paul Powell
Secretary of State
Springfield, Illinois
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Inclosed please find sheet music to a song "Dear Old Illinois" with accompanying letter from one Grace McCartan. Also a copy of a letter we wrote to Ms. McCartan. 
&lt;/p&gt;&lt;p&gt;Inasmuch as we felt this would fall under state jurisdiction instead of federal, I'm taking the liberty of sending it on to you. You may contact her direct if you like. Thank you.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
United States Senator
&lt;/p&gt;&lt;p&gt;Incls. (3) 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Downstate Office 
Senators Dirksen &amp;amp; Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Dear Ms. McCartan:
&lt;/p&gt;&lt;p&gt;Thanks for sending the words and music of Dear Old Illinois. This would be a state matter and not connected with the federal government, therefore I am taking the liberty of forwarding your music to the Secretary of State, Honorable Paul Powell. And I feel you will hear from them soon.
&lt;/p&gt;&lt;p&gt;Again, thanks for writing me and I hope you will feel free to contact me at anytime that I can be of assistance.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
&lt;/p&gt;&lt;p&gt;bcc. Secretary of State
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;White Hall Ill. July 30, 1967
&lt;/p&gt;&lt;p&gt;Hon. Charles Percey
Centralia, Ill.
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I don't know whether you were born in Ill. but I know you love your great state. I was born in Ill. (Marion Co.) and I have lived in Centralia I have composed a song in honor of our great state "Dear Old Illinois)
Illinois has no ballad as so many of the states do, 
&lt;/p&gt;&lt;p&gt;I have come near placing it on several different occasions but have had other literature [illegible] accepted. 
&lt;/p&gt;&lt;p&gt;I know that you and Sen Dirksen are leaders in our state so I appeal to you. an unknown writer cannot get recognition unless backed by some prominent person or persons. 
&lt;/p&gt;&lt;p&gt;Would you help me? It has been praised by several persons including Fred Waring. There will be lots of singing in future campaigns, and this makes a beautiful male quartette.
&lt;/p&gt;&lt;p&gt;Please let me hear. Resp. yours Grace McCartan
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Rec'd 
Aug 1, 1967
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Song FOR VOICE AND PIANO
&lt;/p&gt;&lt;p&gt;Words and Music 
by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;.50
&lt;/p&gt;&lt;p&gt;Obtainable 
SHATTINGER 
ST. LOUIS, MO.
&lt;/p&gt;&lt;p&gt;In memory of my beloved parents
DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Words and music by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;1. The world is wide, I've found at last, since I began to roam; But in this world There is no spot that can compare with home. I'm thinking of my home tonight; I see my mother's face As she sat and sang at twilight With her kind and gentle grace. 
&lt;/p&gt;&lt;p&gt;2. The world's a school I've found alas, since I have been to school; The world is cold and friends are few, And friendship's warmth can cool. But mother's love, can never fail It's faithful been to me, And has bless'd my life with sunshine Since I stood beside her knee.
Copyright 1953 Grace McCartan
&lt;/p&gt;&lt;p&gt;REFRAIN
In dear old Illinois, the sun is shining, The wild arbutus twines on sunlit hills; the dogwood trees are blooming in the valley, Sweet daisy fields are there by woodland rills. The whippoorwill calls softly from the woodland, And in my heart there lingers still the joy Of memories of happy days I spent with lov'd ones dear, On a little farm In dear old Illinois!
Dear Old Illinois, 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1967 
&lt;/p&gt;&lt;p&gt;Abraham Lincoln Presidential Library 
112 North Sixth Street
Springfield, Illinois 62701
&lt;/p&gt;
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              <text>8</text>
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                <text>Lyrics describe memory of life in Illinois. Sheet includes letter from Senator Charles Percy</text>
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                <text>Percy, Charles H., 1919-2011</text>
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                <text>McCartan, Grace</text>
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                <text>Shattinger</text>
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                <text>St. Louis</text>
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                <text>1953</text>
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                <text>&lt;p&gt;United States Senate
Committee on Banking and Currency
Washington, D.C. 20510
&lt;/p&gt;&lt;p&gt;Downstate Office 
Senators Dirksen and Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Honorable Paul Powell
Secretary of State
Springfield, Illinois
&lt;/p&gt;&lt;p&gt;Dear Sir:
&lt;/p&gt;&lt;p&gt;Inclosed please find sheet music to a song "Dear Old Illinois" with accompanying letter from one Grace McCartan. Also a copy of a letter we wrote to Ms. McCartan. 
&lt;/p&gt;&lt;p&gt;Inasmuch as we felt this would fall under state jurisdiction instead of federal, I'm taking the liberty of sending it on to you. You may contact her direct if you like. Thank you.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
United States Senator
&lt;/p&gt;&lt;p&gt;Incls. (3) 
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Downstate Office 
Senators Dirksen &amp;amp; Percy
104 S. Elm
Centralia, Illinois  62801
&lt;/p&gt;&lt;p&gt;August 1, 1967
&lt;/p&gt;&lt;p&gt;Dear Ms. McCartan:
&lt;/p&gt;&lt;p&gt;Thanks for sending the words and music of Dear Old Illinois. This would be a state matter and not connected with the federal government, therefore I am taking the liberty of forwarding your music to the Secretary of State, Honorable Paul Powell. And I feel you will hear from them soon.
&lt;/p&gt;&lt;p&gt;Again, thanks for writing me and I hope you will feel free to contact me at anytime that I can be of assistance.
&lt;/p&gt;&lt;p&gt;Warm regards,
&lt;/p&gt;&lt;p&gt;Charles H. Percy/vw
&lt;/p&gt;&lt;p&gt;bcc. Secretary of State
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;White Hall Ill. July 30, 1967
&lt;/p&gt;&lt;p&gt;Hon. Charles Percey
Centralia, Ill.
&lt;/p&gt;&lt;p&gt;Sir:
&lt;/p&gt;&lt;p&gt;I don't know whether you were born in Ill. but I know you love your great state. I was born in Ill. (Marion Co.) and I have lived in Centralia I have composed a song in honor of our great state "Dear Old Illinois)
Illinois has no ballad as so many of the states do, 
&lt;/p&gt;&lt;p&gt;I have come near placing it on several different occasions but have had other literature [illegible] accepted. 
&lt;/p&gt;&lt;p&gt;I know that you and Sen Dirksen are leaders in our state so I appeal to you. an unknown writer cannot get recognition unless backed by some prominent person or persons. 
&lt;/p&gt;&lt;p&gt;Would you help me? It has been praised by several persons including Fred Waring. There will be lots of singing in future campaigns, and this makes a beautiful male quartette.
&lt;/p&gt;&lt;p&gt;Please let me hear. Resp. yours Grace McCartan
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Rec'd 
Aug 1, 1967
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Song FOR VOICE AND PIANO
&lt;/p&gt;&lt;p&gt;Words and Music 
by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;.50
&lt;/p&gt;&lt;p&gt;Obtainable 
SHATTINGER 
ST. LOUIS, MO.
&lt;/p&gt;&lt;p&gt;In memory of my beloved parents
DEAR OLD ILLINOIS
&lt;/p&gt;&lt;p&gt;Words and music by
GRACE MCCARTAN
&lt;/p&gt;&lt;p&gt;1. The world is wide, I've found at last, since I began to roam; But in this world There is no spot that can compare with home. I'm thinking of my home tonight; I see my mother's face As she sat and sang at twilight With her kind and gentle grace. 
&lt;/p&gt;&lt;p&gt;2. The world's a school I've found alas, since I have been to school; The world is cold and friends are few, And friendship's warmth can cool. But mother's love, can never fail It's faithful been to me, And has bless'd my life with sunshine Since I stood beside her knee.
Copyright 1953 Grace McCartan
&lt;/p&gt;&lt;p&gt;REFRAIN
In dear old Illinois, the sun is shining, The wild arbutus twines on sunlit hills; the dogwood trees are blooming in the valley, Sweet daisy fields are there by woodland rills. The whippoorwill calls softly from the woodland, And in my heart there lingers still the joy Of memories of happy days I spent with lov'd ones dear, On a little farm In dear old Illinois!
Dear Old Illinois, 2
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;1967 
&lt;/p&gt;&lt;p&gt;Abraham Lincoln Presidential Library 
112 North Sixth Street
Springfield, Illinois 62701
&lt;/p&gt;
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                    <text>&lt;p&gt;POPULAR SONGS
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Annie Dear, I'm Called Away, Russell .40
&lt;/p&gt;&lt;p&gt;Daily Question, The  E. Meyer Helmund .40
&lt;/p&gt;&lt;p&gt;Good-Night, Farewell, Kucken .40
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts Me Still, Wrighton .40
&lt;/p&gt;&lt;p&gt;I Know That My Redeemer Liveth, Handel .40
&lt;/p&gt;&lt;p&gt;I Would That My Love, Mendelssohn  .40
&lt;/p&gt;&lt;p&gt;Let Me Come Home, Ford  .50
&lt;/p&gt;&lt;p&gt;Love's Golden Dream, Lennox  .40
&lt;/p&gt;&lt;p&gt;O That We Two Were Maying, Duet, Smith .50
&lt;/p&gt;&lt;p&gt;One Strain of Music, Blakely  .50
&lt;/p&gt;&lt;p&gt;Our Jack's Come Home To-day, Devers  .40
&lt;/p&gt;&lt;p&gt;Strangers Yet, Claribel .35
&lt;/p&gt;&lt;p&gt;They All Love Jack, Adams  .35
&lt;/p&gt;&lt;p&gt;Tyrolese and His Child, Lange  .30
&lt;/p&gt;&lt;p&gt;When The Lights Are Low, Lane .35
&lt;/p&gt;&lt;p&gt;Remember I'm Your Brother and Your Friend, Deagon  .50
&lt;/p&gt;&lt;p&gt;Tale of a Winter's Night, Nankeville  .50
&lt;/p&gt;&lt;p&gt;Only a Tear-Stained Message, Armstrong .50
&lt;/p&gt;&lt;p&gt;One Sweet Word, LaZelle  .50
&lt;/p&gt;&lt;p&gt;McKinley Music Co. Chicago. New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Daily Question. (Du Fragst Mich Taglich.)
&lt;/p&gt;&lt;p&gt;Erik Meyer-Helmund.
&lt;/p&gt;&lt;p&gt;Con molto espressione.
&lt;/p&gt;&lt;p&gt;Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly."  Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglick," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
never? I've told my story to yonder moon;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja Alles dem Mond erzachlt
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;See, there she wanders above thee; Fly up, sweet maid, and bid the moon tell How
&lt;/p&gt;&lt;p&gt;von unserm Liebesgetriebe, Mein Schatz geh' hin und frag'den Mond, wie
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fervently I love thee! And if she will not tell thee
&lt;/p&gt;&lt;p&gt;innig ich dich liebe! Und sollte er's vergessen
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
truly, Then ask the stars that nightly shine; One summer eve I shew'd them all The
&lt;/p&gt;&lt;p&gt;haben, so frag die goldnen Sternelein! Ich weiht' sie eines Abends all' ins'
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-2.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;treasures of my secret shrine.
&lt;/p&gt;&lt;p&gt;susseste Geheimnis ein.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, Liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly." Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglich," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-3.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;never? I've plighted faith to thee my own sweet love;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja ew'ge Treu versprochen dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
My very soul to thee I've given! My glowing eyes may tell thee
&lt;/p&gt;&lt;p&gt;wohl unter heiseen Wonne kussen! in meinen Augen siehst du
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
more Than moon or stars in Heaven!
&lt;/p&gt;&lt;p&gt;mehr als Mond und Sterne wissen.
&lt;/p&gt;&lt;p&gt;562. 4-4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautiful and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU.  Chas. Bishop. Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spent with thee, dear heart, Are like a string of pearls to me,
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop.  Out on the deep, on the deep blue sea. Where the waves run high and the
&lt;/p&gt;&lt;p&gt;Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MY BABY'S KISS. M.E. Rourke. and L. Peasley.
&lt;/p&gt;&lt;p&gt;Press your ruby lips to mine Baby, baby dear. Dripping red with
&lt;/p&gt;&lt;p&gt;Does my little darling know Baby. baby dear. As each year you
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
KISS AND SAY GOOD NIGHT. R. M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHICAGO MCKINLEY MUSIC CO. NEW YORK
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;562. 4-1.
&lt;/p&gt;
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                  <text>Illinois Sheet Music and Song Books Collection</text>
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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              <text>6</text>
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              <text>35 cm</text>
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                <text>CD</text>
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            <name>Title</name>
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                <text>The Daily Question = Du fragst mich taglich</text>
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                <text>Love song</text>
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                <text>Love songs</text>
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                <text>Sheet Music</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Meyer-Helmund, Erik, 1861-1932</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>McKinley Music Company</text>
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                <text>New York</text>
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                <text>N/A</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>eng</text>
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                <text>&lt;p&gt;POPULAR SONGS
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Annie Dear, I'm Called Away, Russell .40
&lt;/p&gt;&lt;p&gt;Daily Question, The  E. Meyer Helmund .40
&lt;/p&gt;&lt;p&gt;Good-Night, Farewell, Kucken .40
&lt;/p&gt;&lt;p&gt;Her Bright Smile Haunts Me Still, Wrighton .40
&lt;/p&gt;&lt;p&gt;I Know That My Redeemer Liveth, Handel .40
&lt;/p&gt;&lt;p&gt;I Would That My Love, Mendelssohn  .40
&lt;/p&gt;&lt;p&gt;Let Me Come Home, Ford  .50
&lt;/p&gt;&lt;p&gt;Love's Golden Dream, Lennox  .40
&lt;/p&gt;&lt;p&gt;O That We Two Were Maying, Duet, Smith .50
&lt;/p&gt;&lt;p&gt;One Strain of Music, Blakely  .50
&lt;/p&gt;&lt;p&gt;Our Jack's Come Home To-day, Devers  .40
&lt;/p&gt;&lt;p&gt;Strangers Yet, Claribel .35
&lt;/p&gt;&lt;p&gt;They All Love Jack, Adams  .35
&lt;/p&gt;&lt;p&gt;Tyrolese and His Child, Lange  .30
&lt;/p&gt;&lt;p&gt;When The Lights Are Low, Lane .35
&lt;/p&gt;&lt;p&gt;Remember I'm Your Brother and Your Friend, Deagon  .50
&lt;/p&gt;&lt;p&gt;Tale of a Winter's Night, Nankeville  .50
&lt;/p&gt;&lt;p&gt;Only a Tear-Stained Message, Armstrong .50
&lt;/p&gt;&lt;p&gt;One Sweet Word, LaZelle  .50
&lt;/p&gt;&lt;p&gt;McKinley Music Co. Chicago. New York.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;The Daily Question. (Du Fragst Mich Taglich.)
&lt;/p&gt;&lt;p&gt;Erik Meyer-Helmund.
&lt;/p&gt;&lt;p&gt;Con molto espressione.
&lt;/p&gt;&lt;p&gt;Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly."  Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglick," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
never? I've told my story to yonder moon;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja Alles dem Mond erzachlt
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;See, there she wanders above thee; Fly up, sweet maid, and bid the moon tell How
&lt;/p&gt;&lt;p&gt;von unserm Liebesgetriebe, Mein Schatz geh' hin und frag'den Mond, wie
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
fervently I love thee! And if she will not tell thee
&lt;/p&gt;&lt;p&gt;innig ich dich liebe! Und sollte er's vergessen
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
truly, Then ask the stars that nightly shine; One summer eve I shew'd them all The
&lt;/p&gt;&lt;p&gt;haben, so frag die goldnen Sternelein! Ich weiht' sie eines Abends all' ins'
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-2.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;treasures of my secret shrine.
&lt;/p&gt;&lt;p&gt;susseste Geheimnis ein.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Thy daily question, love, is "Lov'st thou me?" The same reply I make thee
&lt;/p&gt;&lt;p&gt;Du fragst mich taeglich, "Liebchen, Liebst du mich?" Und tausendmal muss ich dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
ever, "I love thee, dear, so tenderly." Wilt thou believe me
&lt;/p&gt;&lt;p&gt;sagen: "Ich liebe dich so inniglich," wozu das viele
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
562. 4-3.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;never? I've plighted faith to thee my own sweet love;
&lt;/p&gt;&lt;p&gt;Fragen? Ich hab' ja ew'ge Treu versprochen dir
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
My very soul to thee I've given! My glowing eyes may tell thee
&lt;/p&gt;&lt;p&gt;wohl unter heiseen Wonne kussen! in meinen Augen siehst du
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
more Than moon or stars in Heaven!
&lt;/p&gt;&lt;p&gt;mehr als Mond und Sterne wissen.
&lt;/p&gt;&lt;p&gt;562. 4-4
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautiful and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU.  Chas. Bishop. Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spent with thee, dear heart, Are like a string of pearls to me,
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop.  Out on the deep, on the deep blue sea. Where the waves run high and the
&lt;/p&gt;&lt;p&gt;Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
MY BABY'S KISS. M.E. Rourke. and L. Peasley.
&lt;/p&gt;&lt;p&gt;Press your ruby lips to mine Baby, baby dear. Dripping red with
&lt;/p&gt;&lt;p&gt;Does my little darling know Baby. baby dear. As each year you
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
KISS AND SAY GOOD NIGHT. R. M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
CHICAGO MCKINLEY MUSIC CO. NEW YORK
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;562. 4-1.
&lt;/p&gt;
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            <name>Percent Completed</name>
            <description>The percentage of pages with Completed status.</description>
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                <text>100</text>
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            <description>A 6-digit number used to sort items quickly.</description>
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                <text>20</text>
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        <src>https://mail.chroniclingillinois.org/files/original/aa3632444a507c2def712495fb6b8b26.pdf</src>
        <authentication>f47f4ba68a8736e1a25e066c3c0d7f85</authentication>
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                    <text>&lt;p&gt;Ask for McKinley Edition
&lt;/p&gt;&lt;p&gt;FAVORITE ENGLISH SONGS
&lt;/p&gt;&lt;p&gt;A Song of Comfort, Davidson .50
&lt;/p&gt;&lt;p&gt;Afterwards, C. D-E, Mullen .50
&lt;/p&gt;&lt;p&gt;Beauty's Eyes, C, A-C, Tosti .50
&lt;/p&gt;&lt;p&gt;By the Fountain, G, D-G, Adams .50
&lt;/p&gt;&lt;p&gt;Could I, Ab, C-D, Tosti  .50
&lt;/p&gt;&lt;p&gt;Call Me Back, Bb, C-F, Denza .50
&lt;/p&gt;&lt;p&gt;Dutch Dolls, D, B-E, Oslere, .50
&lt;/p&gt;&lt;p&gt;Dear Heart, C, C-D, Mattei  .50
&lt;/p&gt;&lt;p&gt;Daddy, Ab, E-F, Behrend  .50
&lt;/p&gt;&lt;p&gt;Dreaming, F, C-F, Wellings  .35
&lt;/p&gt;&lt;p&gt;For You, Ab, D-G, Sidney Smith .50
&lt;/p&gt;&lt;p&gt;Fiddle and I, Bb, D-F (Violin Obligato), Goodeve .60
&lt;/p&gt;&lt;p&gt;Garden of Sleep, Ab, C-E, De Lara  .50
&lt;/p&gt;&lt;p&gt;Good-bye, F, C-Db, Tosti .50
&lt;/p&gt;&lt;p&gt;In Sweet September, D, D-F, Temple  .35
&lt;/p&gt;&lt;p&gt;Leonore, Ab, F-F, Trotere  .50
&lt;/p&gt;&lt;p&gt;Love's Proving, D, E-E, Lohr  .50
&lt;/p&gt;&lt;p&gt;My Lady's Bower, Eb, A-D, Temple .50
&lt;/p&gt;&lt;p&gt;My Dearest Heart, G, D-D, Sullivan, .35
&lt;/p&gt;&lt;p&gt;New Kingdom, Tours, .50
&lt;/p&gt;&lt;p&gt;Only Once More, F, C-F, Moir .40
&lt;/p&gt;&lt;p&gt;On Venice Waters, Ab, E-G, Roeder .50
&lt;/p&gt;&lt;p&gt;Queen of the Earth, D, E-A, Pinsuti  .40
&lt;/p&gt;&lt;p&gt;Queen of My Heart, Eb, B-E, Cellier  .50
&lt;/p&gt;&lt;p&gt;Sally in Our Alley, Bb, C-G, Carey .40
&lt;/p&gt;&lt;p&gt;Tell Her I Love Her So, F, G-F, De Faye .35
&lt;/p&gt;&lt;p&gt;Thursday, Eb, A-E, Molloy .50
&lt;/p&gt;&lt;p&gt;McKINLEY MUSIC CO. CHICAGO. NEW YORK.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;COULD I. (VORREI.) Contralto or Bass in F Major &amp;amp; Minor.
&lt;/p&gt;&lt;p&gt;English version by THEO MARZIALS.  Music by F. PAOLO TOSTI.
&lt;/p&gt;&lt;p&gt;Moderato. Voice. Piano
&lt;/p&gt;&lt;p&gt;Could I but come to thee once but once  Vorrei, allor che tu pallido e
&lt;/p&gt;&lt;p&gt;only, There as you sit alone so sad and lonely, muto pieghi la fronte tra le mani e pensi,
&lt;/p&gt;&lt;p&gt;With your head on your hands so weary hearted, Lost in sweet   e ti splendon su l'animo abbattuto i vanni
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;dreams of happy times departed. But once!   sogniei desiderim men si, vorrie
&lt;/p&gt;&lt;p&gt;But once to enter there when night is falling,   Vorrei per incantesimi d'amore
&lt;/p&gt;&lt;p&gt;In the old sweet way, just coming at your  pianamente venire al tuo richiamo
&lt;/p&gt;&lt;p&gt;calling, And like an angel bending down  e su di te piegando come un
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;above you, to breathe into your ear "I love you, I love you!"  fiore, con dolce voce su surrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Could I but come just   Vorrei di tutte
&lt;/p&gt;&lt;p&gt;once, with unbound tresses Binding us round in long forgone caresses!   le mie sciolte chiome cingerti con lentissima carezza,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;But just once to forget that word was  e sentirme da te chaimare a
&lt;/p&gt;&lt;p&gt;spoken, That left two lives forever lost and broken.  nome, veder ti folle de la mia bellezza
&lt;/p&gt;&lt;p&gt;But once!  But once to enter there when night is falling, In the   vorrei. Vorrei
&lt;/p&gt;&lt;p&gt;once to enter there when night is falling, In the   per incantesimi d'amore piannamente
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;old sweet way, just coming at your calling, And like an angel  venire al tuo richiamo, e su di te piegando
&lt;/p&gt;&lt;p&gt;bending down above you, To breathe into your ear, "I love you, I love you!"   come un fiore, con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;To breathe into your ear, "I love you, I love you!" con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautifiul and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU. Chas. Bishop.  Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spend with thee, dear heart, Are like a string of pearls to me;
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop. Out on the deep, on the deep blue sea, Where the waves run high and the
Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;MY BABY'S KISS. M.E. Rourke. and L. Peasley. Press your ruby lips to mine Baby, baby dear. Dripping red with 
Does my little darling know Baby, baby dear. As each year you
&lt;/p&gt;&lt;p&gt;KISS AND SAY GOOD NIGHT. R.M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;Chicago McKinley Music Co. New York
&lt;/p&gt;
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>7</text>
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            <elementText elementTextId="413909">
              <text>34 cm</text>
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                <text>Love song about singer wanting to comfort loved one in loneliness.</text>
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                <text>&lt;p&gt;Ask for McKinley Edition
&lt;/p&gt;&lt;p&gt;FAVORITE ENGLISH SONGS
&lt;/p&gt;&lt;p&gt;A Song of Comfort, Davidson .50
&lt;/p&gt;&lt;p&gt;Afterwards, C. D-E, Mullen .50
&lt;/p&gt;&lt;p&gt;Beauty's Eyes, C, A-C, Tosti .50
&lt;/p&gt;&lt;p&gt;By the Fountain, G, D-G, Adams .50
&lt;/p&gt;&lt;p&gt;Could I, Ab, C-D, Tosti  .50
&lt;/p&gt;&lt;p&gt;Call Me Back, Bb, C-F, Denza .50
&lt;/p&gt;&lt;p&gt;Dutch Dolls, D, B-E, Oslere, .50
&lt;/p&gt;&lt;p&gt;Dear Heart, C, C-D, Mattei  .50
&lt;/p&gt;&lt;p&gt;Daddy, Ab, E-F, Behrend  .50
&lt;/p&gt;&lt;p&gt;Dreaming, F, C-F, Wellings  .35
&lt;/p&gt;&lt;p&gt;For You, Ab, D-G, Sidney Smith .50
&lt;/p&gt;&lt;p&gt;Fiddle and I, Bb, D-F (Violin Obligato), Goodeve .60
&lt;/p&gt;&lt;p&gt;Garden of Sleep, Ab, C-E, De Lara  .50
&lt;/p&gt;&lt;p&gt;Good-bye, F, C-Db, Tosti .50
&lt;/p&gt;&lt;p&gt;In Sweet September, D, D-F, Temple  .35
&lt;/p&gt;&lt;p&gt;Leonore, Ab, F-F, Trotere  .50
&lt;/p&gt;&lt;p&gt;Love's Proving, D, E-E, Lohr  .50
&lt;/p&gt;&lt;p&gt;My Lady's Bower, Eb, A-D, Temple .50
&lt;/p&gt;&lt;p&gt;My Dearest Heart, G, D-D, Sullivan, .35
&lt;/p&gt;&lt;p&gt;New Kingdom, Tours, .50
&lt;/p&gt;&lt;p&gt;Only Once More, F, C-F, Moir .40
&lt;/p&gt;&lt;p&gt;On Venice Waters, Ab, E-G, Roeder .50
&lt;/p&gt;&lt;p&gt;Queen of the Earth, D, E-A, Pinsuti  .40
&lt;/p&gt;&lt;p&gt;Queen of My Heart, Eb, B-E, Cellier  .50
&lt;/p&gt;&lt;p&gt;Sally in Our Alley, Bb, C-G, Carey .40
&lt;/p&gt;&lt;p&gt;Tell Her I Love Her So, F, G-F, De Faye .35
&lt;/p&gt;&lt;p&gt;Thursday, Eb, A-E, Molloy .50
&lt;/p&gt;&lt;p&gt;McKINLEY MUSIC CO. CHICAGO. NEW YORK.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;COULD I. (VORREI.) Contralto or Bass in F Major &amp;amp; Minor.
&lt;/p&gt;&lt;p&gt;English version by THEO MARZIALS.  Music by F. PAOLO TOSTI.
&lt;/p&gt;&lt;p&gt;Moderato. Voice. Piano
&lt;/p&gt;&lt;p&gt;Could I but come to thee once but once  Vorrei, allor che tu pallido e
&lt;/p&gt;&lt;p&gt;only, There as you sit alone so sad and lonely, muto pieghi la fronte tra le mani e pensi,
&lt;/p&gt;&lt;p&gt;With your head on your hands so weary hearted, Lost in sweet   e ti splendon su l'animo abbattuto i vanni
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;dreams of happy times departed. But once!   sogniei desiderim men si, vorrie
&lt;/p&gt;&lt;p&gt;But once to enter there when night is falling,   Vorrei per incantesimi d'amore
&lt;/p&gt;&lt;p&gt;In the old sweet way, just coming at your  pianamente venire al tuo richiamo
&lt;/p&gt;&lt;p&gt;calling, And like an angel bending down  e su di te piegando come un
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;above you, to breathe into your ear "I love you, I love you!"  fiore, con dolce voce su surrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Could I but come just   Vorrei di tutte
&lt;/p&gt;&lt;p&gt;once, with unbound tresses Binding us round in long forgone caresses!   le mie sciolte chiome cingerti con lentissima carezza,
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;But just once to forget that word was  e sentirme da te chaimare a
&lt;/p&gt;&lt;p&gt;spoken, That left two lives forever lost and broken.  nome, veder ti folle de la mia bellezza
&lt;/p&gt;&lt;p&gt;But once!  But once to enter there when night is falling, In the   vorrei. Vorrei
&lt;/p&gt;&lt;p&gt;once to enter there when night is falling, In the   per incantesimi d'amore piannamente
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;old sweet way, just coming at your calling, And like an angel  venire al tuo richiamo, e su di te piegando
&lt;/p&gt;&lt;p&gt;bending down above you, To breathe into your ear, "I love you, I love you!"   come un fiore, con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;&lt;p&gt;To breathe into your ear, "I love you, I love you!" con dolce voce susurrarti: Io t'amo!
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Popular Vocal Music. These Pieces are Published in the Beautifiul and Reliable McKinley Edition of Ten Cent Music.
&lt;/p&gt;&lt;p&gt;BECAUSE ITS YOU. Chas. Bishop.  Because it's you, and because I love you dearly I long for the
&lt;/p&gt;&lt;p&gt;MY ROSARY. Chas. Bishop. The hours I spend with thee, dear heart, Are like a string of pearls to me;
&lt;/p&gt;&lt;p&gt;MANY THE WRECK BELOW. Chas. Bishop. Out on the deep, on the deep blue sea, Where the waves run high and the
Down in the depths of the deep blue sea, Where the fishes dwell and the
&lt;/p&gt;&lt;p&gt;MY BABY'S KISS. M.E. Rourke. and L. Peasley. Press your ruby lips to mine Baby, baby dear. Dripping red with 
Does my little darling know Baby, baby dear. As each year you
&lt;/p&gt;&lt;p&gt;KISS AND SAY GOOD NIGHT. R.M. Stultz. Let me hold you close, my darling Let me read your eyes so bright.
&lt;/p&gt;&lt;p&gt;Chicago McKinley Music Co. New York
&lt;/p&gt;
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                    <text>&lt;p&gt;"Come Home, Father."
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS. WORDS AND MUSIC BY HENRY CLAY WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington St.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A.D. 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;IMPORTANT To Piano - Forte Teachers and Pupils! We are now issuing the musical part of THE MUSICAL CURRICULUM, IN FOUR BOOKS, COMMENCING WITH THE 23D PAGE.
&lt;/p&gt;&lt;p&gt;BOOK 1., from page 23 to 68 inclusive.
&lt;/p&gt;&lt;p&gt;BOOK II., " 69 " 121 "
&lt;/p&gt;&lt;p&gt;BOOK III., " 122 " 183 "
&lt;/p&gt;&lt;p&gt;BOOK IV., " 184 " 239 "
&lt;/p&gt;&lt;p&gt;Price of each Book $1.25
&lt;/p&gt;&lt;p&gt;This arrangement will, we are confident, add to the success and usefulness of this much admired work; for the teacher, having a complete copy, can select for each pupil just the lessons that are needed, and at a price so moderate that no one will feel it a burden. 
&lt;/p&gt;&lt;p&gt;The MUSICAL CURRICULUM is also issued complete, in one volume, including, beside the above books, a Method of Teaching, Glossary and Index. PRICE $4.50
&lt;/p&gt;&lt;p&gt;Sheet music and music books sent by mail, post paid on receipt of RETAIL price.  ROOT &amp;amp; CADY, Chicago, Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"COME HOME, FATHER!" 'TIS THE SONG OF LITTLE MARY, standing at the bar-room door, While the shameful midnight revel Rages wildly as before.
&lt;/p&gt;&lt;p&gt;Words and Music by HENRY C. WORK
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Father, dear father, come home with me now! The clock in the steeple strikes one; You
said you were coming right home from the shop, As soon as your day's work was done. Our
fire has gone out our house is all dark--And mother's been watching since tea, With
poor brother Benny so sick in her arms, And no one to help her but me. Come
home! come home! come home! Please, father dear father, come home.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. Father, dear father, come home with me now! The clock in the steeple strikes two; The
night has grown colder, and Benny is worse But he has been calling for you. 
Indeed he is worse--Ma says he will die, Perhaps before morning shall dawn; And
this is the message she sent me to bring-- "Come quickly, or he will be gone." Come
home! come home! come home! Please, father, dear father, come home.
&lt;/p&gt;&lt;p&gt;3. Father, dear father, come home with me now! The clock in the steeple strikes three; The
house is so lonely the hours are so long For poor weeping mother and me. Yes,
we are alone--poor Benny is dead, And gone with the angels of light; And
these were the very last words that he said-- "I want to kiss Papa good night." Come
home! come home! come home! Please father, dear father, come home.
&lt;/p&gt;
&lt;hr /&gt;

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              <text>4</text>
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                <text>Come Home, Father</text>
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                <text>Children's song about father's absence</text>
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                <text>&lt;p&gt;"Come Home, Father."
&lt;/p&gt;&lt;p&gt;SONG AND CHORUS. WORDS AND MUSIC BY HENRY CLAY WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 67 Washington St.
&lt;/p&gt;&lt;p&gt;Entered, according to Act of Congress, A.D. 1864, by ROOT &amp;amp; CADY, in the Clerk's Office of the District Court for the Northern District of Illinois.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;IMPORTANT To Piano - Forte Teachers and Pupils! We are now issuing the musical part of THE MUSICAL CURRICULUM, IN FOUR BOOKS, COMMENCING WITH THE 23D PAGE.
&lt;/p&gt;&lt;p&gt;BOOK 1., from page 23 to 68 inclusive.
&lt;/p&gt;&lt;p&gt;BOOK II., " 69 " 121 "
&lt;/p&gt;&lt;p&gt;BOOK III., " 122 " 183 "
&lt;/p&gt;&lt;p&gt;BOOK IV., " 184 " 239 "
&lt;/p&gt;&lt;p&gt;Price of each Book $1.25
&lt;/p&gt;&lt;p&gt;This arrangement will, we are confident, add to the success and usefulness of this much admired work; for the teacher, having a complete copy, can select for each pupil just the lessons that are needed, and at a price so moderate that no one will feel it a burden. 
&lt;/p&gt;&lt;p&gt;The MUSICAL CURRICULUM is also issued complete, in one volume, including, beside the above books, a Method of Teaching, Glossary and Index. PRICE $4.50
&lt;/p&gt;&lt;p&gt;Sheet music and music books sent by mail, post paid on receipt of RETAIL price.  ROOT &amp;amp; CADY, Chicago, Ill.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;"COME HOME, FATHER!" 'TIS THE SONG OF LITTLE MARY, standing at the bar-room door, While the shameful midnight revel Rages wildly as before.
&lt;/p&gt;&lt;p&gt;Words and Music by HENRY C. WORK
&lt;/p&gt;&lt;p&gt;PIANO
&lt;/p&gt;&lt;p&gt;1. Father, dear father, come home with me now! The clock in the steeple strikes one; You
said you were coming right home from the shop, As soon as your day's work was done. Our
fire has gone out our house is all dark--And mother's been watching since tea, With
poor brother Benny so sick in her arms, And no one to help her but me. Come
home! come home! come home! Please, father dear father, come home.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
2. Father, dear father, come home with me now! The clock in the steeple strikes two; The
night has grown colder, and Benny is worse But he has been calling for you. 
Indeed he is worse--Ma says he will die, Perhaps before morning shall dawn; And
this is the message she sent me to bring-- "Come quickly, or he will be gone." Come
home! come home! come home! Please, father, dear father, come home.
&lt;/p&gt;&lt;p&gt;3. Father, dear father, come home with me now! The clock in the steeple strikes three; The
house is so lonely the hours are so long For poor weeping mother and me. Yes,
we are alone--poor Benny is dead, And gone with the angels of light; And
these were the very last words that he said-- "I want to kiss Papa good night." Come
home! come home! come home! Please father, dear father, come home.
&lt;/p&gt;
&lt;hr /&gt;

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                    <text>&lt;p&gt;Work's Popular Songs &amp;amp; Ballads
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Grafted into the Army, 3 1/2. Uncle Joe's Hail Columbia. We'll Go down Ourselves, 3. Little [unintelligible]. The Girls at Home, 2 1/2. Kingdom Coming, 2 1/2. The First Love Dream. Nellie Lost &amp;amp; Found. Grandmother Told Me So, 3. Our Captains Last Words. The Days When We Were Young. Watching for Pa. God Save the Nation, 1 1/2.
&lt;/p&gt;&lt;p&gt;COLUMBIA'S GUARDIAN ANGELS. SONG AND CHORUS. Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St. 
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co. New York.  Lee &amp;amp; Walker Philadelphia.  H. Tolman &amp;amp; Co. Boston. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court in the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;CONGRATULATE you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement.  L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;BEST of their class of which we have any knowledge. More than Two Hundred Eminent Organists.
&lt;/p&gt;&lt;p&gt;IN every respect far superior to everything of the kind I have seen, whether in Europe or America. Geo. Washbourne Morgan.
&lt;/p&gt;&lt;p&gt;NEVER have seen anything of the kind which interested me so much. George F. Root.
&lt;/p&gt;&lt;p&gt;EXCEEDS in my estimation every other instrument of this general class. Thomas Hastings.
&lt;/p&gt;&lt;p&gt;THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for.  New York Observer.
&lt;/p&gt;&lt;p&gt;REALLY very effective and beautiful instruments. Lowell Mason.
&lt;/p&gt;&lt;p&gt;GRAND accompaniment when the congregation sing. [Irenaeus.]
&lt;/p&gt;&lt;p&gt;AS compared with Melodeons, Harmoniums, &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William Mason.
&lt;/p&gt;&lt;p&gt;NEXT to a church organ, and that a good sized one, the last instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;SURPASSES everything in this line I have seen, whether French or American. John Zundel.
&lt;/p&gt;&lt;p&gt;Made only by MASON &amp;amp; HAMLIN, Boston.
&lt;/p&gt;&lt;p&gt;Cabinet Organs. In plain or elegant Cases, with one to twelve Stops. Prices to $
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, " 50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root and Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Columbia's Guardian Angels.  Words and Music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1. An echo floats down from the mountains, And
&lt;/p&gt;&lt;p&gt;2. The banner hangs high in the heavens, The
&lt;/p&gt;&lt;p&gt;3. The stronghold of Tyranny trembles--Her
&lt;/p&gt;&lt;p&gt;4. They bring us the place among nations, Our
&lt;/p&gt;&lt;p&gt;5. They bring us that blessing of blessings, Which
&lt;/p&gt;&lt;p&gt;finds on the prairies release; An echo whose wonderful burden Is
&lt;/p&gt;&lt;p&gt;beacon commences to burn; The shout of the freedman goes upward, To
&lt;/p&gt;&lt;p&gt;minions retire in dismay, Like specters that fade in the darkness, Before
&lt;/p&gt;&lt;p&gt;ancestors gave us before; The birthright that some would have barter'd, They
&lt;/p&gt;&lt;p&gt;few were yet looking to see--A firm and unchangeable Union, In
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;"Victory! Liberty! Peace! "
&lt;/p&gt;&lt;p&gt;welcome their waited return.
&lt;/p&gt;&lt;p&gt;the arrival of day.
&lt;/p&gt;&lt;p&gt;now in its fullness restore.
&lt;/p&gt;&lt;p&gt;fact, as in theory free!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;The glorious trio, behold they are
&lt;/p&gt;&lt;p&gt;Go tell the lone watchers of earth, they are
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
coming! Their heralds are standing e'en now at your door:
&lt;/p&gt;&lt;p&gt;coming To bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;If the voice does not reach G easily, sing the small notes.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Full Chorus.
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW MUSIC: PUBLISHED BY ROOT &amp;amp; CADY, 95 Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;For Schools, Academies, and Juvenile Classes. The Silver Lute by Geo. F. Root. Price 40 cents.
&lt;/p&gt;&lt;p&gt;Uncle Sam's Funeral. Song and chorus, by Silex: price 25 cents. Key of A minor. Ranges to E above; sterling loyalty under a serio-comic guise. We can give the first verse, but can give no idea of the ludicrous effects produced by the whisting which follows each. 'Twas but little while ago, that the copperheads were found, With their great Vallandighammer, a hammering around, And they tried to scare us with their doleful sound, H'm, Ha, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;I'm Dying far from those I Love. Song and chorus, by J.R. Thomas; price 30 cents. Key of E flat. Goes as high as F. Not difficult, but requiring good taste and pure sympathetic voices.  I'm dying far from those I love! No gentle voice my way to cheer; How calmly would my breath depart, If loving ones were only near. No Mother's lips are on my brow, But strangers watch my lonely bed; And no one here will shed a tear, When I am lying cold and dead.
&lt;/p&gt;&lt;p&gt;Just After the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of F. Ranges to E above. This song is a continuation of "Just Before the Battle, Mother," by the same author, and is of somewhat similar character. Still upon the field of battle I am lying Mother dear With my wounded comrades waiting for the morning to appear; Oh the first great charge was fearful, and a thousand brave men fell, Still amid the dreadful carnage, I was safe from shot and shell; Oh the glorious cheer of triumph, when the foemen turned and fled, Leaving us the field of battle, strewn with dying and with dead.
&lt;/p&gt;&lt;p&gt;I'se on De Way. Two choruses with solo intermediate, by Wurzel; price 25 cents. Key of G minor. Goes up to F in chorus, but only to B flat in the solo, which may be taken by a low or alto voice. We would caution all pro-slavery people against singing this song, for we don't think they would like it. Hail! all hail! I'se a'gwine to de Union army; Hail! all hail! I's on de way.
&lt;/p&gt;&lt;p&gt;A MONTHLY MUSIC PAPER THE SONG MESSENGER. PRICE 60 CTS A YEAR.
&lt;/p&gt;&lt;p&gt;Brother Tell Me of the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of D. Goes up to E. Brother, tell me of the battle, How the soldiers fought and fell: Tell me of the weary marches She who loves will listen well. Brother, draw thee close beside me, Lay your head upon my breast: While you're telling of the battle, Let your fevered forehead rest.
&lt;/p&gt;&lt;p&gt;Columbia's Guardian Angels. Song, refrain and chorus, and full chorus, by Henry C. Work; price 25 cents. Some one says "you may always be sure of something new when you get a song by Mr. Work."  This will be found no exception to that rule. Key of G: Very effective and interesting. Goes to G above, and requires five voices in one place to produce its full effects.  The glorious trio, behold they are coming! Their heralds are standing e'en now at your door; Go tell the lone watchers of earth, they are coming to bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;I Stand on Memory's Golden shore. Song and quartette, by J.P. Webster; price 80 cents. Key of A flat. Ranges to E flat above. Requires pure and sympathetic tones.
&lt;/p&gt;&lt;p&gt;"Come Home, Father." Words and music by Henry C. Work. Price 25 cents. A plaintive song, complete and effective for one voice, altho' there is an unusually fine chorus accompanying it, to please those who prefer it in that shape.  Father, dear father, come home with me now! The clock in the steeple strikes one; You said you were coming right home from the shop, As soon as your day's work was done. Our fire has gone out--our house is all dark--And mother's been watching since tea, With poor brother Benny so sick in her arms, And no one to help her but me.
&lt;/p&gt;&lt;p&gt;Bury the Brave where They Fall. Song and quartette, by Lieut. H.L. Frisbie; price 30 cents. Key of A flat (four flats). Ranges to Eb above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green be the turf on thy breast; The glorious stars of our banner shall watch O'er the graves where our heroes rest.
&lt;/p&gt;&lt;p&gt;She Sleeps beneath the Elms. Song and chorus, by J.P. Webster: price 20 cents. Key of A (three sharps), ranges to E above; movement andante sostenuto, and requires pure and sympathetic tones. The accompaniment occasionally touches the relative minor.  My darling sleeps beneath the lofty elms, Where song-birds warble in their leafy homes.
&lt;/p&gt;&lt;p&gt;Washington and Lincoln. Song and chorus, by Henry C. Work; price 25 cents. Key of Eb. Medium range. An excellent piece of for the coming campaign, as well as for concert room or parlor. "Come all ye people, O come let us tell The story of Washington and Lincoln! History's pages can never excel, The story of Washington and Lincoln."
&lt;/p&gt;&lt;p&gt;Vicksburg is Taken, Boys.  Song and chorus, by E.W. Hicks; price 25 cents. Key of C. Song goes to E above; chorus to G. Very spirited--a first rate song for all patriotic occasions.  It was printed in the "Song Messenger" soon after the capture of Vicksburg, and has been so much called for that we have been obliged to issue it in sheet form.  Hurray! boys, hurrah! shout glory and sing, For the traitors look sadly forsaken; Our glorious old Eagle is yet on the wing, And Vicksburg is taken, boys, taken.
&lt;/p&gt;&lt;p&gt;Little Alice.  A ballad, by J.M. Hubbard; price 25 cents. Key of F. Going only to D above. Sweet and elegant.  Happy loving little Alice, With her soft and sunny curls, In the cottage or the palace, She is still the queen of girls.
&lt;/p&gt;&lt;p&gt;Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come, for the spell of a fairy, Dwells in thy magical voice.
&lt;/p&gt;&lt;p&gt;Will you come to meet Me, Darling.  Song and quartette, by G.F. Root; price 30 cents. Key of E flat (three flats). Ranges to E flat above; movement, andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and the other voices marcato in the first half--all joining together in the close. When my feet have grown to weary, Farther on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me O'er the dark and flowing tide; Will you come to meet me, darling, When I reach the river side?
&lt;/p&gt;&lt;p&gt;Ah, He kissed Me when He left Me. Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plaintive and touching in the melody. Ah he kissed me when he left me, And his parting words remain Treasured deep within my bosom "Dearest, we shall meet again."
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS QUARTETTES &amp;amp;C. THE BUGLE CALL BY GEO. F. ROOT. PRICE $3 PER DOZEN.
&lt;/p&gt;&lt;p&gt;Corporal Schnapps.  Song and chorus, by Henry C. work; price 30 cents. Key of D (two sharps). Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner.  Mine heart ish proken into little pits, I tells you, friend, what for: Mine schweet-heart, von coot patriotic kirl, She trives me off mit der war. I fights for her der pattles of te flag--I schtrikes so prave as I can; Put now long time she nix remempers me, And coes mit another man.  Chorus.--Ah! mine fraulein! You ish so ferry unkind; You coes mit Hans to Zhermany to live. And leaves poor Schnapps pehind.
&lt;/p&gt;&lt;p&gt;All Hail to Ulysses. Song and chorus in honor of General Grant, by Chas. Haynes; price 30 cents. with lithograph portrait title, 50 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend--The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name thro' the world we will sound.
&lt;/p&gt;&lt;p&gt;Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 30 cents. Key of Bb. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades leaves are found me lying, Fill'd with thoughts of home and God, For well they know that on the morrow Some will sleep beneath the sod.
&lt;/p&gt;&lt;p&gt;Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be: for your comrades left you sleeping, brother, Underneath a southern tree.
&lt;/p&gt;&lt;p&gt;Music sent to any address, post-paid, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Now in the Ascendant!
Wm. B. Bradbury, with a world-wide reputation, abundance of capital, years of experience in the business, and commanding the most skillful workmen, commenced about two years ago the manufacture of pianos by himself. Such facilities, united with his well known ambition to excel, gave promise of success, which his lately perfected New Scale Piano has already more than realized. The numerous FIRST PREMIUMS he has taken over all competitors, the testimony of the best pianists, and our own judgment, after carefully comparing them with the best of other makers, compel us to announce the BRADBURY PIANOS Now in the Ascendant! For years to come we believe they will be the favorites with those who want the best. If any doubt this let them examine and satisfy themselves. 
&lt;/p&gt;&lt;p&gt;We are Exclusive Agents for Chicago and vicinity, and retail them at New York prices, thus saving the purchaser freight and risk of transportation. 
&lt;/p&gt;&lt;p&gt;We are Wholesale Agents for the Northwest, and furnish them to dealers at Factory Wholesale Prices, adding only the freight from New York to Chicago. Price Lists sent to any Address Free of Charge. Both Mr. Bradbury and ourselves warrant these pianos for five years, and guarantee satisfaction. Geo. F. Root. E.T. Root, C.M. Cady. ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;&lt;p&gt;A NEW PARLOR GAME MUSICAL CELEBRITIES  96 CARDS OF THE GREATEST MUSICIANS WITH SKETCHES. PRICE $1.00
&lt;/p&gt;
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                  <text>&lt;a href="http://alplm-cdi.com/chroniclingillinois/items/browse?collection=324" target="_self"&gt;Browse items in the Illinois Sheet Music and Song Books Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection contains sheet music and song books published in Illinois or about Illinois topics. &lt;br /&gt;&lt;br /&gt;</text>
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                <text>Columbia's Guardian Angels</text>
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                <text>Lyrics depict hope for Union victory in battle. Cover depicts border of images depicting memories surrounding title.</text>
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                <text>American Civil War (1861-1865)</text>
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                <text>Work, Henry C. (Henry Clay), 1832-1884</text>
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                <text>Chicago</text>
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                <text>1863</text>
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                <text>Abraham Lincoln Presidential Library and Museum</text>
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                <text>&lt;p&gt;Work's Popular Songs &amp;amp; Ballads
&lt;/p&gt;&lt;p&gt;Beautiful Rose. Grafted into the Army, 3 1/2. Uncle Joe's Hail Columbia. We'll Go down Ourselves, 3. Little [unintelligible]. The Girls at Home, 2 1/2. Kingdom Coming, 2 1/2. The First Love Dream. Nellie Lost &amp;amp; Found. Grandmother Told Me So, 3. Our Captains Last Words. The Days When We Were Young. Watching for Pa. God Save the Nation, 1 1/2.
&lt;/p&gt;&lt;p&gt;COLUMBIA'S GUARDIAN ANGELS. SONG AND CHORUS. Words and Music by HENRY C. WORK.
&lt;/p&gt;&lt;p&gt;CHICAGO: Published by ROOT &amp;amp; CADY, 95 Clark St. 
&lt;/p&gt;&lt;p&gt;W.A. Pond &amp;amp; Co. New York.  Lee &amp;amp; Walker Philadelphia.  H. Tolman &amp;amp; Co. Boston. 
&lt;/p&gt;&lt;p&gt;Entered according to Act of Congress A.D. 1862, by Root &amp;amp; Cady, in the Clerk's Office of the District Court in the Northern District of Illinois
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;ROOT &amp;amp; CADY.
&lt;/p&gt;&lt;p&gt;CABINET ORGANS.
&lt;/p&gt;&lt;p&gt;CONGRATULATE you on the introduction of a new musical instrument, long wanted, and sure to find its way into every household of taste and refinement.  L.M. Gottschalk.
&lt;/p&gt;&lt;p&gt;A VERY efficient church organ, brought within a small compass, not easy to get out of order, and sold at a low price. New York Examiner.
&lt;/p&gt;&lt;p&gt;BEST of their class of which we have any knowledge. More than Two Hundred Eminent Organists.
&lt;/p&gt;&lt;p&gt;IN every respect far superior to everything of the kind I have seen, whether in Europe or America. Geo. Washbourne Morgan.
&lt;/p&gt;&lt;p&gt;NEVER have seen anything of the kind which interested me so much. George F. Root.
&lt;/p&gt;&lt;p&gt;EXCEEDS in my estimation every other instrument of this general class. Thomas Hastings.
&lt;/p&gt;&lt;p&gt;THE favorable testimony of nearly every organist or pianist of note in this country, together with that of certain distinguished foreign authorities, has forestalled our appreciative comments upon the excellence and value of these carefully made instruments. New York World.
&lt;/p&gt;&lt;p&gt;ONCE hearing them will satisfy the most skeptical that they are just what the church has been waiting for.  New York Observer.
&lt;/p&gt;&lt;p&gt;REALLY very effective and beautiful instruments. Lowell Mason.
&lt;/p&gt;&lt;p&gt;GRAND accompaniment when the congregation sing. [Irenaeus.]
&lt;/p&gt;&lt;p&gt;AS compared with Melodeons, Harmoniums, &amp;amp;c., the Cabinet Organ is certainly superior in quality and volume of tone, while its power of expression can hardly be too highly praised. William Mason.
&lt;/p&gt;&lt;p&gt;NEXT to a church organ, and that a good sized one, the last instrument with which we are acquainted to accompany church song. New York Musical Review.
&lt;/p&gt;&lt;p&gt;SURPASSES everything in this line I have seen, whether French or American. John Zundel.
&lt;/p&gt;&lt;p&gt;Made only by MASON &amp;amp; HAMLIN, Boston.
&lt;/p&gt;&lt;p&gt;Cabinet Organs. In plain or elegant Cases, with one to twelve Stops. Prices to $
&lt;/p&gt;&lt;p&gt;LATE INSTRUMENTAL MUSIC.
&lt;/p&gt;&lt;p&gt;Sophia Polka, Wimmerstedt. 25
&lt;/p&gt;&lt;p&gt;Warbling of the Birds, " 50
&lt;/p&gt;&lt;p&gt;Longing for the Shore, " 50
&lt;/p&gt;&lt;p&gt;Evening Bells, " 60
&lt;/p&gt;&lt;p&gt;Sharp-Shooters' March, " 25
&lt;/p&gt;&lt;p&gt;Shabona Schottisch, Minkler. 25
&lt;/p&gt;&lt;p&gt;DesMoines City Waltz, Lehman. 50
&lt;/p&gt;&lt;p&gt;St. Paul Waltz, Vaas. 30
&lt;/p&gt;&lt;p&gt;Grand March, Faust. 30
&lt;/p&gt;&lt;p&gt;Little Drummer Boy's March, Merz. 25
&lt;/p&gt;&lt;p&gt;Czaar &amp;amp; Zimmermann, Baumbach. 75
&lt;/p&gt;&lt;p&gt;Pot Pourri, Faust. 75
&lt;/p&gt;&lt;p&gt;Coquette Polka, D'Albert. 25
&lt;/p&gt;&lt;p&gt;Published by Root and Cady, 95 Clark St. Chicago. GENERAL AGENTS FOR THE NORTH-WEST.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Columbia's Guardian Angels.  Words and Music by Henry C. Work.
&lt;/p&gt;&lt;p&gt;PIANO.
&lt;/p&gt;&lt;p&gt;1. An echo floats down from the mountains, And
&lt;/p&gt;&lt;p&gt;2. The banner hangs high in the heavens, The
&lt;/p&gt;&lt;p&gt;3. The stronghold of Tyranny trembles--Her
&lt;/p&gt;&lt;p&gt;4. They bring us the place among nations, Our
&lt;/p&gt;&lt;p&gt;5. They bring us that blessing of blessings, Which
&lt;/p&gt;&lt;p&gt;finds on the prairies release; An echo whose wonderful burden Is
&lt;/p&gt;&lt;p&gt;beacon commences to burn; The shout of the freedman goes upward, To
&lt;/p&gt;&lt;p&gt;minions retire in dismay, Like specters that fade in the darkness, Before
&lt;/p&gt;&lt;p&gt;ancestors gave us before; The birthright that some would have barter'd, They
&lt;/p&gt;&lt;p&gt;few were yet looking to see--A firm and unchangeable Union, In
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;4
&lt;/p&gt;&lt;p&gt;"Victory! Liberty! Peace! "
&lt;/p&gt;&lt;p&gt;welcome their waited return.
&lt;/p&gt;&lt;p&gt;the arrival of day.
&lt;/p&gt;&lt;p&gt;now in its fullness restore.
&lt;/p&gt;&lt;p&gt;fact, as in theory free!
&lt;/p&gt;&lt;p&gt;Refrain.
&lt;/p&gt;&lt;p&gt;The glorious trio, behold they are
&lt;/p&gt;&lt;p&gt;Go tell the lone watchers of earth, they are
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
coming! Their heralds are standing e'en now at your door:
&lt;/p&gt;&lt;p&gt;coming To bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
Are coming, are coming, are coming, are coming, are coming, are coming once more.
&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;If the voice does not reach G easily, sing the small notes.
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr /&gt;
&lt;p&gt;5
&lt;/p&gt;&lt;p&gt;Full Chorus.
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;"Glory to God in the highest!" And the people shall answer "Amen!" Columbia's
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;&lt;p&gt;Guardian Angels Return to their empire again.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;NEW MUSIC: PUBLISHED BY ROOT &amp;amp; CADY, 95 Clark Street, Chicago.
&lt;/p&gt;&lt;p&gt;For Schools, Academies, and Juvenile Classes. The Silver Lute by Geo. F. Root. Price 40 cents.
&lt;/p&gt;&lt;p&gt;Uncle Sam's Funeral. Song and chorus, by Silex: price 25 cents. Key of A minor. Ranges to E above; sterling loyalty under a serio-comic guise. We can give the first verse, but can give no idea of the ludicrous effects produced by the whisting which follows each. 'Twas but little while ago, that the copperheads were found, With their great Vallandighammer, a hammering around, And they tried to scare us with their doleful sound, H'm, Ha, &amp;amp;c.
&lt;/p&gt;&lt;p&gt;I'm Dying far from those I Love. Song and chorus, by J.R. Thomas; price 30 cents. Key of E flat. Goes as high as F. Not difficult, but requiring good taste and pure sympathetic voices.  I'm dying far from those I love! No gentle voice my way to cheer; How calmly would my breath depart, If loving ones were only near. No Mother's lips are on my brow, But strangers watch my lonely bed; And no one here will shed a tear, When I am lying cold and dead.
&lt;/p&gt;&lt;p&gt;Just After the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of F. Ranges to E above. This song is a continuation of "Just Before the Battle, Mother," by the same author, and is of somewhat similar character. Still upon the field of battle I am lying Mother dear With my wounded comrades waiting for the morning to appear; Oh the first great charge was fearful, and a thousand brave men fell, Still amid the dreadful carnage, I was safe from shot and shell; Oh the glorious cheer of triumph, when the foemen turned and fled, Leaving us the field of battle, strewn with dying and with dead.
&lt;/p&gt;&lt;p&gt;I'se on De Way. Two choruses with solo intermediate, by Wurzel; price 25 cents. Key of G minor. Goes up to F in chorus, but only to B flat in the solo, which may be taken by a low or alto voice. We would caution all pro-slavery people against singing this song, for we don't think they would like it. Hail! all hail! I'se a'gwine to de Union army; Hail! all hail! I's on de way.
&lt;/p&gt;&lt;p&gt;A MONTHLY MUSIC PAPER THE SONG MESSENGER. PRICE 60 CTS A YEAR.
&lt;/p&gt;&lt;p&gt;Brother Tell Me of the Battle. Song and chorus, by Geo. F. Root; price 30 cents. Key of D. Goes up to E. Brother, tell me of the battle, How the soldiers fought and fell: Tell me of the weary marches She who loves will listen well. Brother, draw thee close beside me, Lay your head upon my breast: While you're telling of the battle, Let your fevered forehead rest.
&lt;/p&gt;&lt;p&gt;Columbia's Guardian Angels. Song, refrain and chorus, and full chorus, by Henry C. Work; price 25 cents. Some one says "you may always be sure of something new when you get a song by Mr. Work."  This will be found no exception to that rule. Key of G: Very effective and interesting. Goes to G above, and requires five voices in one place to produce its full effects.  The glorious trio, behold they are coming! Their heralds are standing e'en now at your door; Go tell the lone watchers of earth, they are coming to bless us--be with us--forsake us no more.
&lt;/p&gt;&lt;p&gt;I Stand on Memory's Golden shore. Song and quartette, by J.P. Webster; price 80 cents. Key of A flat. Ranges to E flat above. Requires pure and sympathetic tones.
&lt;/p&gt;&lt;p&gt;"Come Home, Father." Words and music by Henry C. Work. Price 25 cents. A plaintive song, complete and effective for one voice, altho' there is an unusually fine chorus accompanying it, to please those who prefer it in that shape.  Father, dear father, come home with me now! The clock in the steeple strikes one; You said you were coming right home from the shop, As soon as your day's work was done. Our fire has gone out--our house is all dark--And mother's been watching since tea, With poor brother Benny so sick in her arms, And no one to help her but me.
&lt;/p&gt;&lt;p&gt;Bury the Brave where They Fall. Song and quartette, by Lieut. H.L. Frisbie; price 30 cents. Key of A flat (four flats). Ranges to Eb above, and, in the chorus, to A flat below, and requires impressive tones and enunciation. Then sleep on, soft be thy repose, And green be the turf on thy breast; The glorious stars of our banner shall watch O'er the graves where our heroes rest.
&lt;/p&gt;&lt;p&gt;She Sleeps beneath the Elms. Song and chorus, by J.P. Webster: price 20 cents. Key of A (three sharps), ranges to E above; movement andante sostenuto, and requires pure and sympathetic tones. The accompaniment occasionally touches the relative minor.  My darling sleeps beneath the lofty elms, Where song-birds warble in their leafy homes.
&lt;/p&gt;&lt;p&gt;Washington and Lincoln. Song and chorus, by Henry C. Work; price 25 cents. Key of Eb. Medium range. An excellent piece of for the coming campaign, as well as for concert room or parlor. "Come all ye people, O come let us tell The story of Washington and Lincoln! History's pages can never excel, The story of Washington and Lincoln."
&lt;/p&gt;&lt;p&gt;Vicksburg is Taken, Boys.  Song and chorus, by E.W. Hicks; price 25 cents. Key of C. Song goes to E above; chorus to G. Very spirited--a first rate song for all patriotic occasions.  It was printed in the "Song Messenger" soon after the capture of Vicksburg, and has been so much called for that we have been obliged to issue it in sheet form.  Hurray! boys, hurrah! shout glory and sing, For the traitors look sadly forsaken; Our glorious old Eagle is yet on the wing, And Vicksburg is taken, boys, taken.
&lt;/p&gt;&lt;p&gt;Little Alice.  A ballad, by J.M. Hubbard; price 25 cents. Key of F. Going only to D above. Sweet and elegant.  Happy loving little Alice, With her soft and sunny curls, In the cottage or the palace, She is still the queen of girls.
&lt;/p&gt;&lt;p&gt;Beautiful Child of Song. Solo, by S.C. Foster; price 25 cents. Key of D minor (one flat). Ranges to F above. Six-eight time. Beautiful changes to major in the harmony, accompaniment moderately difficult. Come, for the spell of a fairy, Dwells in thy magical voice.
&lt;/p&gt;&lt;p&gt;Will you come to meet Me, Darling.  Song and quartette, by G.F. Root; price 30 cents. Key of E flat (three flats). Ranges to E flat above; movement, andantino; accompaniment simple in the rhythm, but somewhat changeful and peculiar in harmony. In the chorus the melody is sustained and the other voices marcato in the first half--all joining together in the close. When my feet have grown to weary, Farther on to press their way, When my spirit waits the bidding To be severed from its clay, I shall need some hand to guide me O'er the dark and flowing tide; Will you come to meet me, darling, When I reach the river side?
&lt;/p&gt;&lt;p&gt;Ah, He kissed Me when He left Me. Song and chorus, by Lillia Dowling. Key of E flat. Ranges to E flat above. Beautiful rhythmic movement, and plaintive and touching in the melody. Ah he kissed me when he left me, And his parting words remain Treasured deep within my bosom "Dearest, we shall meet again."
&lt;/p&gt;&lt;p&gt;PATRIOTIC SONGS QUARTETTES &amp;amp;C. THE BUGLE CALL BY GEO. F. ROOT. PRICE $3 PER DOZEN.
&lt;/p&gt;&lt;p&gt;Corporal Schnapps.  Song and chorus, by Henry C. work; price 30 cents. Key of D (two sharps). Ranges to E above. Serio-comic, and requires good descriptive powers, in voice, pronunciation, and manner.  Mine heart ish proken into little pits, I tells you, friend, what for: Mine schweet-heart, von coot patriotic kirl, She trives me off mit der war. I fights for her der pattles of te flag--I schtrikes so prave as I can; Put now long time she nix remempers me, And coes mit another man.  Chorus.--Ah! mine fraulein! You ish so ferry unkind; You coes mit Hans to Zhermany to live. And leaves poor Schnapps pehind.
&lt;/p&gt;&lt;p&gt;All Hail to Ulysses. Song and chorus in honor of General Grant, by Chas. Haynes; price 30 cents. with lithograph portrait title, 50 cents. Key of B flat. Ranges to F above. Bold movement, and requires trumpet tones. All hail to Ulysses, the patriot's friend--The hero of battles renowned; He has won the bright laurel, Its garland he wears; And his name thro' the world we will sound.
&lt;/p&gt;&lt;p&gt;Just before the Battle, Mother. Song and chorus, by Geo. F. Root; price 30 cents. Key of Bb. Tender and beautiful. Just before the battle, mother, I am thinking most of you, While upon the field we're watching, With the enemy in view; Comrades leaves are found me lying, Fill'd with thoughts of home and God, For well they know that on the morrow Some will sleep beneath the sod.
&lt;/p&gt;&lt;p&gt;Sleeping for the Flag. Song and chorus, by Henry C. Work; price 25 cents. Touching and tender, of deep interest to those whose brothers are resting on the battle field. When our boys come home in triumph, brother, With the laurels they shall gain; When we go to give them welcome, brother, We shall look for you in vain. We shall wait for your returning, brother, Though we know it cannot be: for your comrades left you sleeping, brother, Underneath a southern tree.
&lt;/p&gt;&lt;p&gt;Music sent to any address, post-paid, upon receipt of the marked price.
&lt;/p&gt;&lt;p&gt;Now in the Ascendant!
Wm. B. Bradbury, with a world-wide reputation, abundance of capital, years of experience in the business, and commanding the most skillful workmen, commenced about two years ago the manufacture of pianos by himself. Such facilities, united with his well known ambition to excel, gave promise of success, which his lately perfected New Scale Piano has already more than realized. The numerous FIRST PREMIUMS he has taken over all competitors, the testimony of the best pianists, and our own judgment, after carefully comparing them with the best of other makers, compel us to announce the BRADBURY PIANOS Now in the Ascendant! For years to come we believe they will be the favorites with those who want the best. If any doubt this let them examine and satisfy themselves. 
&lt;/p&gt;&lt;p&gt;We are Exclusive Agents for Chicago and vicinity, and retail them at New York prices, thus saving the purchaser freight and risk of transportation. 
&lt;/p&gt;&lt;p&gt;We are Wholesale Agents for the Northwest, and furnish them to dealers at Factory Wholesale Prices, adding only the freight from New York to Chicago. Price Lists sent to any Address Free of Charge. Both Mr. Bradbury and ourselves warrant these pianos for five years, and guarantee satisfaction. Geo. F. Root. E.T. Root, C.M. Cady. ROOT &amp;amp; CADY, CHICAGO.
&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;[blank page]
&lt;/p&gt;&lt;p&gt;A NEW PARLOR GAME MUSICAL CELEBRITIES  96 CARDS OF THE GREATEST MUSICIANS WITH SKETCHES. PRICE $1.00
&lt;/p&gt;
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